Singing Dragon and Authors attend the National Qigong Association (NQA) Conference 2011

Singing Dragon was thrilled to attend the 16th annual conference of the National Qigong Association (NQA) in Valley Forge, Pennsylvania, USA, from August 19-21.

We were so pleased that our distinguished author and Tai Ji Master, Chungliang Al Huang, was asked to give the keynote address on the Saturday night. During his presentation, Master Huang painted some beautiful calligraphy and demonstrated his joyful style of Tai Ji. Immediately following the talk, Singing Dragon was honored to host a reception where Master Huang signed dozens of copies of his four new perennial editions: Quantum Soup, Embrace Tiger, Return to Mountain, Essential Tai Ji, and The Chinese Book of Animal Powers.

Master Huang signs a copy of 'Embrace Tiger, Return to Mountain' with his distinctive calligraphy for Jeannie Peck.

Singing Dragon author Solala Towler was also a presenter at NQA this year. His book, Cha Dao: The Way of Tea, Tea as a Way of Life, drew considerable interest at our stand.

Singing Dragon author Master Zhongxian Wu was unable to be with us this year, but in his absence two of his senior students stepped into the breach and led the workshop on the Mother Form. Master Wu’s new book, Chinese Shamanic Cosmic Orbit Qigong, and his DVD, Hidden Immortal Lineage Taiji Qigong, were very well received by the attendees.

We had a phenomenal time at NQA this year and we wish to thank the organizers, presenters and attendees for their good will and positive energy!

Copyright © Singing Dragon 2011.

Michael Davies on the benefits of the gentle exercise known as Jiangan – The Chinese Health Wand

Michael Davies is a senior instructor with the Tai Chi Union for Great Britain. He has been practising Chinese internal arts for over 30 years and teaching Tai Chi Chuan for 13 years. He runs a Tai Chi club with regular classes, workshops and seminars in Tai Chi, Qigong and Jiangan. He lives in Hertfordshire, UK.

Here, Michael answers some questions about his new book, Jiangan – The Chinese Health Wand.

Video: Click to see Jiangan in action!


When did you first come across the Chinese health wand?

I saw it performed by an elderly Chinese man while on holiday in Malaysia in 1982, then later read a copy of the book by Bruce L. Johnson, the man who discovered the system in Shanghai in 1945. I had only just begun learning Tai Chi, which I took up mainly for the martial and meditation aspects. So although I was intrigued by the ‘Chinese Wand’ I was not sufficiently motivated to study it at that time. It was thirty years later, after working in an office and experiencing a sedentary lifestyle for much of that time, that I become more interested in the health aspects of Asian arts. I had become a Tai Chi instructor but felt that there were areas of conditioning and fitness that even this Chinese treasure was lacking. I decided to revisit Johnson’s book and experiment with the exercises, and was so impressed that I wrote this book.

What does Jiangan mean?

In Chinese (pin-yin) ‘Jian’ means health and ‘Gan’ means pole or wand. Jiangan can therefore be translated as ‘Health Wand’. Although there is no direct mention of Jiangan in Chinese written records, such exercises have been traditionally passed down from teacher to student orally for many generations. Dr Cheng, the Chinese Grandmaster who taught Bruce Johnson, claimed that the art was as old as Yoga and Qigong. But unlike other Asian mind-body systems that developed health aspects as by-products of spiritual advancement (Yoga), martial skill (Tai Chi) or healing specific illnesses (Qigong), Jiangan was specifically devised as a daily health and fitness maintenance routine for the gentry and imperial family who had unique health problems caused by their sedentary lifestyle. So for this purpose only the exercises evolved, the less effective and less safe exercises being replaced by more potent and safer exercises through countless generations. This makes it a scientific and comprehensive daily work-out.

Did you find Jiangan easy to learn, and have you found that the practice has expanded over the years?

It is very easy to learn but deceptively so. It possesses hidden subtleties and can be as simple or as challenging as you like. People tend to start practising physically but when the body adjusts there is less need for physical exertion. Eventually you realise that it is very much an internal exercise and you focus more on the deep diagrammatic breathing and develop a meditative frame of mind which greatly enhances your practice. The book takes the reader through the exercises in great detail and suggests traditional mental imagery based on the Chinese element system which helps to link the physical movement to spiritual concepts.

What are the health benefits, and how long each day do you need to practice?

The benefits include a sense of well-being, a clear tranquil mind, deep restorative sleep, increased energy, sexual vitality and fertility, increased circulation, clear skin, more efficient metabolism and improved digestion. But in addition Jiangan stretches and strengthens the physical body and is capable of delivering body-shaping results associated with vigorous gym workouts. It is therefore a holistic internal-external exercise. Many people separate health and fitness but Jiangan regards both as the same. Although there is stretching and strengthening similar to Western exercises these are performed in the style and spirit of a Tai Chi or Qigong routine. We approach stretches in gradual stages, always returning to the beginning posture with each breath and not holding a stretch for longer than a breath. Every movement is cyclic, gradual and gentle. So physical goals can be achieved at the same time as ‘internal cultivation’ because they are both part of the holistic joining of mind and body. Perhaps the systems’ most crucial contribution to health is its capacity to improve posture and help with a whole range of back, shoulder, and neck problems.

Twenty minutes a day is adequate to avail oneself of the many health benefits.


VIDEO: Michael Davies demonstrates some Jiangan exercises.

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Is this a purely ‘health’ practice or does it, like other Chinese energetic movement forms, carry within it a deeper spiritual practice?

The unique esoteric aspects of the art are based on Chinese traditional medicine and more obscure ancient practices, particularly involving the Gan itself. I discovered that the length that Johnson and Grandmaster Cheng specified for the Gan is approximately a ‘Golden Ratio’ longer than the length of an average person’s arm, which is probably the basis of the intriguing esoteric principles surrounding the Gan (‘Wand’ is an apt, rather magical term). Holding the Gan at each end – one hand considered ‘Yin’ and the other ‘Yang’ respectively – may relate back to the Healing Rods of ancient Egypt. Continuing with the Egyptian theme, this wide grip creates a symbolic pyramid shape with the body. As we continually circulate Qi around this ‘pyramid’ its vertex or tip repeatedly focusses on and stimulates the body’s two ‘polarity points’; the Yang (Baihui) on the crown of the head and the Yin (Huiyin) at base of the spine. This process relates to the important Chakra centres of Yoga and can also be seen as a simplified way to perform the ‘Microcosmic Orbit Meditation’ of Taoist alchemy. The ‘Yin-Yang’ concept is also an important influence on body mechanics. In most exercises the Gan acts as a fulcrum or lever. In many of the exercises, one part of the body is motionless (Yin) while another part is in motion (Yang). This creates a resistance that causes beneficial stretches and also massages internal organs. It is a methodology in stark contrast to Tai Chi where all the body moves as one unit.

Why do you think it is not very well known?

Bruce Johnson said that Dr Cheng was the last Chinese Grandmaster. When he introduced it to the West in the 1950’s there was little enthusiasm for Asian arts. By the time Tai Chi and Qigong became popular Johnson had given up teaching for religious reasons. The art was left behind. Though a few people kept it alive using Johnson’s out-of-print book as a reference point. But the internal, philosophical side of the art was not being taught. In recent years it seems to have been relegated to the role of a ‘quirky physical exercise with a stick’.

Using my experience in Chinese internal arts I wanted to rediscover the internal philosophy and present the art as originally intended so that a new generation can reap the health benefits. In fact, it was the way Jiangan effects the physical body that was the catalyst for writing the book. Even though I had been practising Tai Chi for over thirty years, like many men my age I had developed a middle-aged spread. There seems to be a consensus amongst Tai Chi and Qigong practitioners that it is possible to have a middle-age spread and still be healthy and to regard exercises that focus on physical improvement as somehow inferior and cosmetic. But an expanding waistband is often a sign that visceral fat – the fat that sits around the major organs and linked to diabetes and heart disease – is accumulating in the body. After practising Jiangan for several weeks my middle-ages spread was gone and I felt fitter, leaner and stronger, more supple than I had for years. I hope that my book will be particularly useful to people attracted to internal Chinese health but who also need to reduce weight and keep fit.

How does this practice fit within the Chinese martial arts tradition, and how might you integrate it with martial arts practice?

Jiangan is not a martial art and there is no evidence that it evolved from martial techniques. However, the dimensions of the Gan itself is approximately the same as the Chinese short staff (sometimes called the ‘Gun’ or ‘whip staff”) used for some martial forms.

It is a complete and integrated warm-up, a stretching, strengthening and Qigong-energy type practice that can be utilised to support any martial art training. It enriches training sessions and makes them more effective.

Now that the book is published, what is your next challenge?

I would like the art to become better known and more widely practised – particularly in the areas where it’s unique qualities can make a significant contribution, such as tackling obesity and weight-loss – especially in seniors and helping sedentary people overcome problems associated with their lifestyles. As it is simple to learn there is great opportunity for a wide range of people to teach themselves without long-term commitment to lessons or classes. Johnson wanted his own book to be in every nursing home, every hospital, every physical therapy room, every doctor’s office. I would like to see Jiangan practised by workers in offices and factories to increase productivity and the health of the workforce. I would also like to see it practised in schools and colleges, where it could not only help maintain student’s physical fitness but also be an accessible introduction to Chinese internal arts.

Copyright © Singing Dragon 2011.

Singing Dragon author Master Zhongxian Wu on the Shamanic Root of Qigong 气功 and of all Chinese culture

Excerpted from the Introduction to Chinese Shamanic Cosmic Orbit Qigong – Esoteric Talismans, Mantras, and Mudras in Healing and Inner Cultivation by Master Zhongxian Wu.

The Shamanic Root of Qigong 气功

When I was a child in China, I was curious about the way that the local Wu 巫 (Chinese shaman) would give treatments to patients. How could an acupuncture needle release the pain when the Wu placed it in a suffering patient’s body? How could chanting, meditation, and use of talismans help patients recover from illness? Although I gathered more knowledge about the principles of Chinese medicine as I grew up, I did not get answers to my questions during my childhood. Ever inquisitive, I sought the answer to more questions: What are meridians? What are acupuncture points? Where did this knowledge come from? How did this intricately layered system of medicine develop? Through decades of dedicated Qigong and self-cultivation practices, I gradually found the answers to these questions. As my practice of ancient Chinese wisdom techniques deepened, I began to understand that ancient Wu 巫 (Chinese Shamanism) is the root of all Chinese culture.

In ancient China, shamans were respected as sages, or enlightened beings who understood the way of nature and how it related to human beings. Ancient Chinese shamans considered human beings as the precious treasure residing between heaven and earth. How then, does one protect this precious life? Through study and observation of the Universal way, the ancient Chinese sages realized that achieving harmony in the body is possible when a person follows the balancing principles of the universe in everyday living. With living in harmony as the final goal, the ancient shamans created an ancient life science system designed to keep the physical body, the mind, and the spirit healthy. Today, we know this ancient life science system as Qigong 气功.

Choose A Beneficial Qigong Form

The term of Qigong made with two Chinese Characters: Qi 气 and Gong 功. In English, Qi translates conceptually as vital energy, vital force, or vital breath, while Gong translates as working hard in the correct way. In general, Qigong 气功 means Qi cultivation. Any movements, postures or activity done in a conscious relationship with Qi can be called Qigong. If you are not yet aware of the Qi flowing through and around your body, you can cultivate this consciousness through correct traditional Qigong practice, and develop a better understanding of the internal and external Qi network.

Qigong is a way of cultivating knowledge and a method of practice that should be learned through correct and careful guidance and through personal experience. You will feel it is easier to merge the principles of your Qigong practice into your life and to feel its powerful effects if you have the support of an experienced teacher to guide you. People often ask me what kind of Qigong form will be suitable for them. I always suggest that they choose a traditional style of Qigong, one with deep cultural roots that has proven to be authentic over centuries of practice.

Chinese Shamanic Cosmic Orbit Qigong

Three of the essential practices of Chinese Shamanic Qigong are the Fu 符 (talismans), Jue 訣 (mantras), and Yin 印 (mudras). Talisman, mudra, and mantra are specific rituals common to ancient shamanism. In my tradition, we still preserve and utilize many special talismans, mantras, and mudras as specific techniques for cultivation and healing/self-healing. Fu (talismans) are Qi (vital life energy) energized diagrams, symbols, or Chinese characters used to channel a vital energy in order to create a harmonious Qi field for healing or living. Jue (mantras) are special syllables, spells or sounds used spontaneously to resonate with Universal Qi and to circulate the Qi within the energy network through the vibrations created by your voice. Yin (mudras) are ancient hand positions used to connect with universal energies and act as a vehicle to access ancient wisdom of the Universe that is bound within the body.

Chinese Shamanic Orbit Qigong is a time-honored, esoteric style of Qigong, which focuses on cultivating internal Qi circulation and attaining enlightenment. Ancient shamans discovered that the energetic patterns of nature are reproduced in all levels of the cosmos, from the largest, macrocosmic (Universal level) scale to the smallest, microcosmic (living organisms and the cells, organelles and particles within them) scale, they deduced that the flow of Qi in the body is just like the ceaseless rotation of the sun, moon, and stars. Therefore, in Qigong terminology, orbit refers to the Qi circulation in in the body. The fundamental concept of balance in Chinese wisdom traditions holds that you will maintain health and experience well-being if Qi is free flowing in your body.

My new book, Chinese Shamanic Cosmic Orbit Qigong, illustrates the details of the Shamanic Orbit Qigong practice, including talismans, mantras, mudras, movements, visualizations, and therapeutic benefits. I hope you will enjoy this book and gain great benefits from your daily practice.


Master Zhongxian Wu is the recognized master of multiple lineages of classical Qigong, Taiji and martial arts. He has been teaching unique and professionally designed courses and workshops to beginning and advanced practitioners, as well as for patients seeking healing, for over 25 years. In addition to Chinese Shamanic Cosmic Orbit Qigong – Esoteric Talismans, Mantras and Mudras in Healing and Inner Cultivation, he is the author of The 12 Chinese Animals – Create Harmony in Your Daily Life Through Ancient Chinese Wisdom; Seeking the Spirit of The Book of Change – 8 Days to Mastering a Shamanic Yijing (I Ching) Prediction System; Hidden Immortal Lineage Taiji Qigong: The Mother Form; and The Vital Breath of the Dao – Chinese Shamanic Tiger Qigong. He and his wife, Dr. Karin Taylor Wu, live in the foothills of the Blue Ridge Mountains of central Virginia, USA, and together founded Blue Willow Health Center. You can find more details about his teachings at www.masterwu.net.

Copyright © Singing Dragon 2011.

VIDEO: Lisa Spillane demonstrates the Six Healing Sounds – Qigong for Children

Lisa Spillane is the author and illustrator of the new book, Six Healing Sounds with Lisa and Ted: Qigong for Children, which teaches young children how to transform negative feelings into positive ones by using simple breathing techniques that are based on ancient Chinese Qigong exercises.

Using a special sound for different parts of the body, Lisa and Ted show that a “haaaww” can heal the heart and blow away impatience, and a “whooooooo” can steady the stomach and chase away worries.

In this video, Lisa demonstrates each healing sound from the story so that parents, teachers, carers and children can make sure they’re getting the most from them.

Click below to see how it’s done!

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Lisa Spillane qualified as a teacher of Art and Design at the National College of Art and Design (NCAD) in Dublin, Ireland. She also has a master’s degree in Education and is a co-founder and former Director of Artlink Ltd., a charitable company promoting access to art in the North West of Ireland. Having taught at a number of schools, Lisa went on to work for several years in Northern Ireland on community projects with children and young people. She learned Qigong meditation from attending classes taught by Grandmaster Mantak Chia. Lisa currently lives in Brussels, Belgium.

Copyright © Singing Dragon 2011.

Qi Gong as a “process”: Journeying from dynamic movement to inner stillness

By Michael Acton, author of Eternal Spring: Taiji Quan, Qi Gong and the Cultivation of Health, Happiness and Longevity.

I came to Qi Gong through Taiji Quan, which is considered in China to be both a high level Qi Gong and a highly respected traditional martial art. I started Taiji in London back in 1976 when there were very few serious and knowledgeable instructors around. I had already dabbled in Japanese martial arts. Taiji was like a breath of fresh air, I found it both fascinating and fulfilling. It also reflected more accurately my growing interest in Buddhism and Daoism and their expression in Chinese art and culture. My first important teacher was a Malaysian Chinese and he introduced me to Wu style Taiji Quan. After several years he returned to Malaysia. I visited him there and learned and saw aspects of Taiji I had not seen in the UK. I also saw Thai and Malaysian martial arts whilst in Southeast Asia.

Back in the UK, I continued to practice with some students from my old group but I also began a more earnest investigation of new teachers and other styles of Chinese martial arts, notably Chen Style, Ba Gua, Hsing Yi and Traditional Yang Form. I also spent six months in Dharamsala, Northern India, painting two pictures for the Office of the Dalai Lama (see below) which gave me an opportunity to study meditation and Buddhist philosophy. This had a significant impact upon my personal development and my inclination towards Qi Gong as a therapeutic and spiritual path. It also inspired me to seek out a high level teacher in China.


Michael Acton's painting of one of the great teachers of Buddhism, Shnatarakshita, displayed in the Namgyal Temple in Dharamsala.


In 1992 I went to Shanghai, the home of Wu Style Taiji and met Master Li Liqun, a fourth generation Taiji master and a senior disciple of Ma Yueh Liang. Master Ma and his wife Wu Ying Hua, (daughter of Grandmaster Wu Jian Quan who developed the Wu Style as we know it today), were the gatekeepers of the Southern Wu Style martial system of Taiji Quan and were both renowned for their skill and knowledge. Master Li was a life long practitioner of Chinese martial arts and was a highly respected Taiji master and Qi Gong doctor. It was my good fortune to meet him and I considered myself lucky when he invited me to study with him.

From Master Li I re-learned everything I thought I already knew about Taiji. I studied the weapons and martial strategies and learned the rare Kuai Quan (Fast form) – said to be the original hand form. I also had the chance to study Qi Gong in depth. I studied Master Li’s methods and his widely acclaimed 5 Yin Organ Back Step systems. It was a profound introduction to Qi Gong as a therapeutic/health practice and a cathartic experience for me. I stayed in China for nearly four years and have subsequently been back for a year’s stay plus many, many visits, including my recent visit in late 2010 when I was invited to visit the graves of Ma Yueh Liang, Wu Ying Hua and Wu Jian Quan, to pay my respects as an ‘apprentice’ of Master Li’s. Master Li has always been generous in his teaching and believed that everyone should have the chance to practice and study Taiji Quan to cultivate their vitality, health and happiness. He also encouraged me to teach in the same spirit and I have been teaching now since 1996. In 2006 I founded the Wu Shi Taiji and Qi Gong Association UK with Master Li Liqun as our Honourary Chairman. Its aim is to teach the traditional Wu Style Taiji Quan as passed down by the founder Wu Jian Quan as well as the methods and principles of Qi Gong as passed to me by Master Li Liqun.

The Qi Gong course I teach has evolved over many years of teaching, studying and investigating Taiji and Qi Gong. I confess: it has taken me a long time to acquire the maturity and depth needed to teach Qi Gong properly as well as position all the developmental stages of Qi Gong practice in an intelligible and sequential way. My course addresses the difficulties many Westerners find in accessing what I call the Qi Gong ‘experience’. I deliver a broad syllabus of principles, methods and strategies used in therapeutic Qi Gong.

The syllabus covers four main Qi Gong strategies:

  •  Dynamic movement
  • Medical/Therapeutic Qi Gong
  • Qi Absorption/Emission, and
  • Meditation

I offer both an understandable syllabus and relevant theoretical framework. My emphasis always remains true to my Masters’ with its primary emphasis on the therapeutic and healing aspects of Qi Gong rather than the mystical, martial or even religious. Generally I follow the Chinese medical paradigm as expressed in Traditional Chinese Medicine, and although this can present problems for many students who are unfamiliar with the principles and theory, I always seek to explain the Chinese ideas in a digestible and experiential way.

Many of my senior Qi Gong students are either therapists, osteopaths or acupuncturists and they find that the therapeutic methods I teach both enhance their level of treatment and give them the means to manage their own health. I also teach many students who have medical conditions, some quite serious, that need managing. It is this context that has propelled and informed the syllabus and the depth to which I teach. I believe that serious students, especially those in the healing professions, need a full range of Qi Gong methods to be useful in their practice and relevant to their patients as well as to themselves. I have come to see the principles, methods and strategies as being intimately linked and interdependent, each providing a stepping stone for a deeper and more profound experience. Qi Gong is about Nourishing Vitality which requires far more than learning a few sets of movements. Nourishing Vitality means the practice of ‘conservation, restoration, nourishment and transformation’. Qi Gong should be seen as a ‘process’ and as such it unfolds progressively as you journey from dynamic movement to inner stillness. It is why in China the practice of Qi Gong is often referred to as a ‘way’ or the ‘Dao of Qi Gong’.

I have recently started running a beginners’ workshop at the Crouch End YMCA in London. It is usually held on the last Saturday of each month. There are still places available since we are still at the beginning phase of the syllabus. However, once we pass this phase it will not be easy for beginners to join this group, so call or e-mail if you are interested as soon as possible. My aim is to create a dedicated group which can progress together through the whole syllabus. Group cohesion and commitment is important in cultivating the right context for study.

Key Components of my syllabus:

  • Postural Dao Yin – Eternal Spring Qi Gong – (Yong Chuan Dao Yin Fa Gong) Dynamic Movement and posture based method.
  • Mental Dao Yin – The 5 Yin Organ Step Back Method of Master Li: Dan Tian cultivation, Energy circulation, Energy gate method, 12 Meridian method and Self Strengthening method.
  • Qi Absorption – 3 Opening and 9 Rotations, Heaven, Earth and Man Qi Gong, Qi Emission and Qi Absorption techniques.
  • Meditation – Respiratory techniques, Dissolving, Visualising Method, Blending and Transforming, Small Heavenly Circuit, and Entering Stillness.

For more information, contact:

Wu Shi Taiji Quan and Qi Gong Association UK
Tel: +44 (0)1225 832 292
msi.yuan-acton@macunlimited.net
www.wutaijiandqigong.co.uk

Copyright © Singing Dragon 2011.

Teaching Tai Chi and Qigong in Schools – An Interview with Singing Dragon author Betty Sutherland

Betty Sutherland is the founder and director of UK Tai Chi and ‘Chi for Children’, a leading provider of Tai Chi based initiatives in schools across the UK. She has studied Tai Chi Chuan since 1994 and is a senior instructor at the Five Winds School of Tai Chi Chuan. She is also a member and listed as an ‘A’ grade instructor with the Tai Chi Union for Great Britain and a member of the British Council for Chinese Martial Arts.

Here, she answers some questions about her new book and DVD, Chi for Children: A Practical Guide to Teaching Tai Chi and Qigong in Schools and the Community.

How did you get in to Tai Chi Chuan, and what do you love about it?

I was originally directed to Tai Chi to help me during a very stressful time in my life. I was actually being ‘bullied’ in work by a boss and this was taking a serious toll on my health and mental wellbeing. A neighbour saw me with a dreadful migraine (I was having regular debilitating migraines) and she said “Take up Tai Chi – you need grounding”. She said this regularly for 2 years until I did indeed ‘take up Tai Chi’. It helped me work out my situation and deal with the daily mental punishment in the work situation, and other people began to notice that I was dealing with things a lot better. I will always thank my neighbour for her insight. (Incidentally years later the ‘boss’ took up Tai Chi!)

To this day Tai Chi is still my solitude and when things go wrong, my head says “Do Tai Chi” and I am compelled to go and do some form – it’s weird but it works.

What was the impetus for establishing UK Tai Chi? How have you found running Tai Chi and Qigong classes in schools?

I was asked to go into a school for their International Day and do a little bit on China. When the teachers saw how calm the students became while doing Tai Chi, they asked me to do more and show them how to help their students by teaching them Tai Chi. Hence the programme of Educational Tai Chi and Qigong called ‘Chi for Children’ was born, and train-the-trainer (the foundation for this resource) established in schools. In 2002 my programme was supported by school sports management and rolled out across Yorkshire (and now beyond).

Most teachers have embraced Tai Chi and the Chinese approach to life, so much so, that I now have several teachers in my traditional Wudang Tai Chi Chuan evening classes. On the whole the educational ‘establishment’ see the benefits to students, especially for the calmness that Tai Chi brings to the classroom. They also recognise the benefits of teaching students how to ‘manage the mind’ and improve their ability to focus and in the long term improve discipline. Mostly students (mainly 6-11 years old) love it and as they calm their energies and come alive to the movements they report mainly good feelings about themselves, of feeling calm but happy and often pleasantly surprised that they can feel Chi (energy) in their bodies. Often teachers attending these sessions will comment on how calm the class becomes during and after Tai Chi.

I have lots of letters and drawings from kids who have enjoyed the Tai Chi sessions, but the one I remember most was a little girl who had obvious learning difficulties. At the end of the session she came up to me and said “Miss, I didn’t think I would be able to do this, but I can”, with a big beaming smile on her face. This to me was the best reward that I could have asked for.

I also have a teenager who was withdrawn and a loner because of family difficulties. This student has since competed in Tai Chi at local and national level. However to me the best thing that has happened to him is that he has stepped forward to mentor and nurture some of the younger pupils and was recently pictured with his arms round them laughing and smiling. Like myself these students have embraced Tai Chi and are reaping the benefits.

How did the book and DVD come about, and what is the idea behind it?

In the early days teachers who wanted to sustain Tai Chi in schools asked me for a teaching resource; they stressed that it would be easier for them if it was in a visual format. I sat down and worked out how I was delivering the sessions and wrote it all down. This was the foundation of the DVD and book. It is for anyone who wants to learn the basics to teach to the younger age group.

How does Tai Chi support children’s physical, mental, emotional and academic development?

In Traditional Chinese Medicine the emotions and physical health work hand-in-hand, one balancing the other. When we follow these principles and teach them to the younger generation they benefit from an early age. Recognising that stress, fear and adrenalin inhibits learning, we teach students how to manage the mind, reduce negative emotions and improve and enhance a positive attitude. This in turn can benefit their emotional and academic development, and also helps going forward in life (interviews, driving exams etc.).

On a physical level, I have found that children are not as fit as they could be for their age. Tai Chi is not ‘an easy option’ – it just looks easy. Tai Chi is a ‘weight bearing’ exercise and holding postures develops muscles and bone density. In Tai Chi we ensure that don’t over-stretch or ‘hyper extend’ in the way that some other exercise systems can. A session last between 45 – 60 minutes and the students are standing for that period of time. Most comment that ‘it’s hard work’.

What advice would you give to someone looking to introduce Tai Chi into school and community settings?

I would recommend that teachers attend a Tai Chi class, however my resource Chi for Children will lead the teacher through the basic forms and postures that they need to help them get started. Each and every action is shown in the easy to follow DVD and explained in the book – a teacher could start to teach some of the simpler posture from day one. I know this because I have taught several hundred teachers/activity and community leaders backed by my resource.

Tai Chi is an excellent way to start the day and calm the classroom environment. I would recommend that teachers take learning slowly and as I say in the book – “Encourage your students to help you as you are also ‘new to the subject’. Empowering others always gets lots of enthusiasm.”

Praise for ‘Chi for Children’ from the Barlby Sports Partnership:

“The ‘Chi for Children’ program, delivered by UK Tai Chi has made a huge impact within the Barlby School Sport Partnership.

After a comprehensive review of the partnerships activities, it became apparent that, young people wanted more from their current physical education program. There was also a real need to target those children that took little or no interest in the traditional team activities that were currently being offered.

Alongside this the School Sport Partnership wanted to run an initiative that not only captured the imagination of all the young people involved but offered primary teaching staff the opportunity to gain a qualification in delivery archived through a excellent personalised mentoring scheme offered by UK Tai Chi.

The impact to date has been huge, 20 primary schools (45% of all schools) have been involved with the Chi for Children initiative, with over 20 teachers attending the train the trainer module 1. Over 200 pupils now regularly participate in Tai Chi either in the classroom as a focus session or as a stand alone PE lesson. One school was even used as a show piece example in the Partnership Dance Platform event.

As well as the health and physical benefits to all the young people what has been most encouraging is the impact the initiative has had within the whole school. Schools have been using Tai Chi as a means of stress relief for pupils (and staff) prior to exams, as a means of calming children down after lunchtimes, as a way of focusing children in the mornings to start the day.”

Copyright © Singing Dragon 2011.

Singing Dragon Wins Gold at the 2011 Living Now Book Awards

We are pleased to announce that four Singing Dragon books have won prizes at the 2011 Living Now Book Awards, including two first place Gold prizes!

Singing Dragon received the Gold prize in the Enlightenment/Spirituality category for The 12 Chinese Animals: Create Harmony in your Daily Life through Ancient Chinese Wisdom by Master Zhongxian Wu.

Singing Dragon also received the Gold prize in the Yoga/Pilates/Bodywork category for Yoga Therapy for Every Special Child by Nancy Williams.

And in the Exercise/Fitness category, Singing Dragon scooped two prizes: the Silver for Vital Healing: Energy, Mind and Spirit in Traditional Medicines of India, Tibet & the Middle East – Middle Asia, by Dr Marc S. Micozzi, and the Bronze for Managing Stress with Qigong by Gordon Faulkner.

The Living Now Book Awards celebrate the innovation and creativity of new books that enhance the quality of our lives, from cooking and fitness to relationships and mature living. Visit www.livingnowawards.com for more info.

Congratulations to the authors, contributors, editors and everyone who worked on the winning books! Click below to learn more about each one.

Copyright © Singing Dragon 2011.

Richard Bertschinger on the legend of King Arthur and Chinese internal alchemy

Recently, Richard Bertschinger stopped by the Singing Dragon offices in London to film a talk about his book, The Secret of Everlasting Life. On that occasion he alluded to some fascinating parallels between Chinese internal alchemy and the Arthuran legend. He kindly elaborates for us here.

Click to watch the video of Richard’s talk.

Well, this is all speculation, you know! It is only that I have always been struck by the evocative image – I think we all have – of the Lady of the Lake, holding up the sword Excalibur. This is the sword with which King Arthur won his final battle. In Somerset we have many lakes that could have been the source of this legend. The idea of gentleness holding up the ultimate symbol of power and justice, I think we all have to admit, is doubly evocative.

Remember too that at the end of Arthur’s life he casts the sword back into the waters. So we have the idea of the completion of a cycle. The power returns back to the mystic waters. This is well told by Tennyson in The Idylls of the King. So we have strength returning back to its source. And let’s remember that Arthur is also called ‘the once and future king’. I think this rigmarole came from T.H.White, but he took it from the reputed Latin inscription on Arthur’s grave at Glastonbury Abbey. In some way he is out of time; he is born – but also eternal.

Now these ideas are fundamentally Taoist! Water is the source of all life in both northern European and Chinese folklore traditions. The Tao-te Ching states: ‘the greatest good in people, is like water’ (Chapter 8). It is known that much primitive life needs to return to water to reproduce – and sexuality (is it not?) is all about fluids! Fluids are the basis of life (you might remember the mad Colonel in the film Dr. Strangelove and his obsession with fluids?) But never mind. It has to be said that, along with fire, water and gold are two of the most fundamental elements in the alchemical process. You have water in the lake – and gold, that which never tarnishes, is represented by the mystical sword. The Chinese character for gold – 金 jin –stands for all metals. Interestingly enough it also stands for ‘the precious’ (but don’t get me started on Gollum and the Lord of the Rings!).

Enough to say that there are parallels, out and about, throughout all the high romance of northern European folk-lore and Chinese mystical, internal alchemy, While we are on the subject, it is interesting, isn’t it, that we wear the Golden Ring as a wedding ring? The ring is the symbol of eternity, itself. You only have to consider the idea of the snake eating its own tail, or uroboros, which C.G. Jung identified as one of his archetypes, or symbols within the ‘collective unconscious’. So with the ring (or circle) and gold we have two symbols of the unchanging and eternal.

In Chinese internal alchemy the ‘gold is plucked out the water’ – just as ‘the wood is taken out the fire’. In both cases this means that Change is arrested. It’s dramatic. It is meant to be. In the Candong Qi (The Secret of Everlasting Life, Chapter 10) comes the phrase:

know the white, but guard the black,
the spiritual light comes of itself;
for the white is the fine gold,
but the black is the water taken as basis

Let’s unpack this a little bit. The phrase ‘know the white, but guard the black’ (which incidentally is from the Taoist scripture, the Tao-te Ching, Chapter 28) shows how although we understand the white, the brilliant, ‘the fine gold’, we seek its source in the black, the dark of the waters. Indeed the ‘spiritual light comes of itself’ – this refers to Taoist non-action, or wuwei. Spirituality is no big deal, we might say. So Arthur finds his ultimate strength – that which will enable him to rule supreme and conquer every foe – given to him by a mystic lady, during a walk in the woods. Guided, some say, by the magician-shaman Merlin. Under the dark and misty trees he comes across a vision of ultimate strength, born from the dark waters.

There is much more on this in the Chinese alchemical tradition. The sword is, of course, a sword of truth. It is no coincidence that our law-courts use the symbol of blindfolded justice holding a sword. In the Awakening to Reality poem (the Wuzhen Bian) the renown Zhang Boduan has the verse:

The Smelter Ou told to his friends
A Spell for casting a Sword
Named ‘Do No Evil’, in which
Gold and Water were evenly Matched!
Once finished, it knew
The will of the one who wore it –
Ten-thousand miles, it eradicated
GOBLINS IN A FLASH!

Here we have a clear indication of the wondrous use of a single sword, which combats all evil. When gold and water are evenly matched the sword comes into being. Now follow this closely. This is because in the ‘cycling five’ (aka: The Five Element cycle) metal, or gold gives birth to water. (Just as incidentally ‘wood gives birth to fire’.) But in the alchemy we reverse natural process. This is extremely important. And so gold is born from water – ‘the mother hiding her little child’. This is explained in Chapter 10 of The Secret of Everlasting Life, entitled ‘Understanding the Double-Entranced Cave of Knowledge,’ which is basically all about how to find the pathway to inner knowledge. There is a wonderful line in this poem:

the uttermost real in man is fascinating,
as if there, as if not…
it feels like toppling into the great deeps,
now in the shallows, now in the depths…

This is, of course, the basic tenet of Chaos Theory, which says that it is on the boundaries of Chaos that the most interesting things (like the creation of life) happen. There is a most wonderful book to read on this by John Gribbin (Deep Simplicity).

In summary, the gold taken out of the water, the sword of truth brought up and given to King Arthur by the Lady of the Lake describes the internal alchemical process achievable by each one of us, each of us who commits to the spiritual path.

Zhang Boduan’s next stanza in Awakening to Reality states:

Tap with Bamboo, summon the Tortoise,
To swallow the Magic Jade Mushrooms;
Strum the Lute, summon the Phoenix
To eat off the Knife-point.
Soon through the whole body
A Light appears:
Not with everyone
CAN YOU DISCUSS THESE CUSTOMS!

Now the Chinese yoga and meditation of the internal alchemists get to work (‘tap with bamboo, summon the tortoise’ refers to The Book of Change or I Ching divination). As we proceed with our shamanistic ceremony (‘strum the lute, summon the phoenix’) – we uncover an Elixir which can be taken and eaten within, ‘off the point of a knife’. We only need the merest scrap of it! Then ‘soon through the whole body a Light appears’. This is the ultimate spiritual transformation.

The Chinese alchemists certainly knew a thing or two! Isn’t it interesting how a few threads of this wisdom found their way into northern European and Arthurian legend?

Copyright © Singing Dragon 2011.

Lisa Spillane on How Qigong can help children who feel ‘pushed and pulled’ by their emotions

In this interview, Singing Dragon author Lisa Spillane answers some questions about her new book, Six Healing Sounds with Lisa and Ted: Qigong for Children, which teaches young children how to transform negative feelings into positive ones by using simple breathing techniques that are based on ancient Chinese Qigong exercises.

Tell us about your background and your experience of Qigong.

While I’m thankful for the many happy times I enjoyed as a child, it’s mainly the challenges I faced in my early years that have led me to write this book. I was born in New York and lived there until my father died shortly before my eighth birthday. After that we moved to Ireland where my parents were from. My father died from a brain tumor which he suffered with for two years, and the trauma of that and subsequently moving to a new and very different country was a lot to deal with for a little girl. In time, those experiences gave me a desire to pursue a career in education with the aim of helping children to express themselves.

I qualified as a Teacher of Art and Design, and for my Master’s Degree in Education I researched and developed programs for children from at-risk backgrounds and for young offenders. Nearly twenty years ago, along with two artists, I co-founded Artlink, a charity located in the Northwest of Ireland that provides opportunities for people of all ages and backgrounds to learn and experience art. My childhood experiences coupled with what I’ve learned through teaching have reinforced my view that children need to be taught techniques to manage their emotions so they can develop lifelong habits to protect themselves from the consequences of stress.

I was introduced to Qigong meditation by attending classes taught by Grandmaster Mantak Chia three years ago. Since then I’ve continued to learn through local trainers in Brussels, where I live, and through self-research. The first time I did the Inner Smile and Six Healing Sounds meditational exercises it occurred to me, when I was being shown how to rub my liver, that previous to that moment I hadn’t given much thought to its location. My organs were like abstract objects that I was connected to on a very superficial level. And, it dawned on me how ridiculous it was that even though I’d had this body for so many years and took an interest in health and nutrition, I was unable to confidently point to my spleen, pancreas or liver. I thought to myself that if I’d learned these exercises as a child, not only would I have known more about my body but I’d have been able to help myself in those dark times when I felt pushed and pulled by my emotions. Qigong techniques can help children to understand their emotions better and to have more control over them by showing them that they have the power to transform negative ones into positive ones through utilizing the body-mind connection.

What are the Six Healing Sounds and where do they come from?

This book combines the Six Healing Sounds and the Inner Smile Qigong meditational exercises. Qigong is a form of Traditional Chinese Medicine. The exercises were developed thousands of years ago in China to help people to purge toxic negative emotions from their bodies. Doing them combats the dangerous effects of stress by activating the body’s own healing systems through a combination of: deep breathing, smiling, touch, gentle movements, sound vibrations and positive thoughts. Many of the elements we do instinctively, which is how the doctors of ancient China became aware of them. They created the healing sounds from observing the noises (sighs and groans) people make for different ailments because they realized that these sounds cool and detoxify the body’s organs. In the practice, each organ has its own healing sound, color and set of positive and negative emotions. Also, each organ has a season and associated elements. For example, the season for the liver is spring and its element is wood. To avoid information overload, I’ve only suggested the seasons and elements through the stories and illustrations so that children can absorb them with less effort.

Why are they so beneficial?

Although the exercises are simple and easy to learn, there are many complex scientific reasons for why they work. A good number of those reasons have only become evident to us in recent years through advancements in brain scanning which, for example, has proved that smiling, even when we don’t feel like it, produces endorphins in the brain which help to reduce stress and support the immune system. Neuroscience has also shown that thoughts of gratefulness and appreciation calm the nervous system and protect the heart. We instinctively know that using the breath to calm down is very effective. And, deep breathing also increases the amount of oxygen rich blood in the body which is needed for energy and healing and it boosts the lymphatic system helping it to get rid of toxins.

Is there a “right way” to do them?

There are many variations to this practice. This book demonstrates the exercises I learned from Grandmaster Mantak Chia. I’ve tried others but these are the ones I prefer. That said, I felt it was necessary to make some alterations so they’d be more accessible for children. In the second story I chose to refer to just the stomach, even though it should be the stomach, spleen and pancreas because I didn’t want to overwhelm young readers with too many new words. And, it’s good for them to focus on the stomach at this stage in their lives because there’s so much temptation for children to comfort themselves through eating junk food. This gives them an alternative to trying to numb their feelings of worry with food. I’ve also made alterations to the Triple Warmer exercise. This exercise doesn’t relate to a specific organ, but because it aims to even out the body temperature by bringing hot energy down from the head and cooler energy up from the feet it made sense to me to describe the hot energy as the chattering, busy thoughts in the brain. The exercise ends with Ted resting his hands on his stomach which is roughly the Dan Tian area, which relates to this exercise.

For readers who’d like more clarity regarding the sounds: “haaaww” rhymes with “saw”, “whooooooo” is like the sound an owl makes except longer, “sssssssss” is like the sound a snake makes, “tchewwwww” is like a sneeze sound “achoo” except made slowly and without the “a”, the “shhhhh” sounds like you’re telling someone to be quiet and finally “heeeeee” rhymes with “pea”. And, although you should try experimenting with the volume it’s recommended that the sounds be made softly and slowly.

It’s best to do all the organs in the order they are shown in the book, making the sound at least three times for each one, but you can concentrate on just one or as many as you like as long as you do them in the right order. The more you do this the more you will make it your own. If you get caught up in trying to do it perfectly then you won’t get the most out of it. There are also postures and movements as well as other emotions for the organs to be learned but what’s in this book is more than enough to make a good start with. Learning this practice should be seen as a continuous lifelong process that taps into our inherent abilities to heal ourselves.

Undoubtedly we could all gain something from these exercises – why did you decide to write it for children?

There’s an abundance of information on the internet and many excellent books and videos that teach adults how to do these exercises but from what I see there’s very little on the subject for children. Firing up the imagination with colors and beautiful imagery, smiling and making different sounds are all things I knew would appeal to young readers and the earlier we can learn tools to deal with our emotions the better. The format of a children’s picture book is a great learning tool because it allows for a lot of the information to be presented visually. When we use our eyes to dart around the page to look at all the different elements it helps the brain to create meaning and record images, thoughts and feelings together which in the future help us to remember the sequence of the exercises with all the associated information. And, I think many adults will find through the experience of sharing the book with children that they’re benefiting from the practice too.

How do you use these exercises in your own life?

I try to do the practice daily, either in the morning to give me energy and optimism for the day ahead or before bed as a way of clearing out all the emotional garbage that I’ve collected over the course of my day. More significantly for me though are the benefits I gain from weaving the Healing Sounds into all aspects of my life. For instance, I’ve recently taken up yoga, so when I’m doing a pose that works on, for example the kidneys, I’ll smile and breathe in peace, imagining deep blue calm water filling them and then I’ll make the “tchewww” sound as I breathe out my fears. Or, if I’m confronted with any kind of a challenging situation, I’ll take a moment to smile, breathe, connect to the relevant part of my body and if I happen to be in a public place and don’t want to draw attention to myself I’ll imagine that I’m making the sound as I exhale. I find it helps to stop the stress cycle. Simply smiling, breathing, being aware of what my body is telling me and being positive instead of negative helps to put me back in control of the ship, as it were. Also, if I become aware that I’m worried about something I’ll smile and gently rub my stomach, spleen and pancreas and that helps to calm me down as I try to think rationally about whatever it is that’s bothering me.

Essentially it’s all about making a loving connection to oneself and others. When I’m outside taking nature in, I’ll look at the leaves on the trees and connect with my liver and think about filling it up with generosity and kindness. It’s a great way to quieten the “monkey mind” – to stop negative self-talk and instead bring thoughts of appreciation and joy into the mind and body.

Spiritually it’s been good for me in many ways. For example, when I’m praying I usually begin with a few cleansing breaths and making the “haaaww” sound I’ll think about my heart, release any resentments in it and then fill it up with loving attitudes. And, like Ted in the story, when I have trouble sleeping I make the “heeeee” sound and push all the noise from my head out of my body so I feel more relaxed and ready for sleep.

What do you hope readers, including parents and teachers, will gain from the book?

When my son Dualta was a little boy, it was usually when I was reading him a bedtime story that he would decide to tell me about the ups and downs of his day. Mindful of this need to “offload” at bedtime, I’ve written the stories short enough to give children the space to bring up any negative feelings that may be troubling them. Also parents can choose to just concentrate on one or two stories depending on what particular emotions are raised. For example, if a child is grieving over the loss of a pet it might be more appropriate to just do the lungs and the heart. Using this book as a guide, it’s my hope that readers are led through a process which soothes away troubling emotions so they feel calm and ready for a good night’s sleep.

Teachers can use this book to encourage children to learn about their bodies and to consider how their attitudes and behavior effects themselves and others. Learning through stories is a fun way for children to absorb information and they can relate the scenarios to challenges they face in their own lives. It can be used to prompt children to share their experiences and in so doing they will learn that emotions and feelings are a natural part of life and common to everyone. More importantly, the exercises will help them to see that they can learn ways to manage their emotions and cultivate a sense of peace within themselves.

*Singing Dragon is an imprint of Jessica Kingsley Publishers.

Copyright © Singing Dragon 2011.

Video: Richard Bertschinger on Gia-fu Feng and The Secret of Everlasting Life

This month, Singing Dragon staff were treated to an afternoon talk with author Richard Bertschinger, author of the new book  The Secret of Everlasting Life: The First Translation of the Ancient Chinese Text on Immortality.

In these videos, Richard explains the origins of this second century text, the Can Dong Qi, and talks about the careful way in which he translated it from the Chinese over two decades. He also shares memories from his time with the influential Taoist sage and Master, Gia-fu Feng, and reads some passages from the book.

Part One

Part Two