Meeting the author – Carol Rose

Below is a chance to get to know Carol Rose, author of upcoming Integrating Clinical Aromatherapy in Palliative Care, publishing 18th May.

How did you become interested in essential oils and aromatherapy?

My first encounter with essential oils happened in the 1980’s as a newly registered nurse specialising in oncology at London’s Royal Marsden Hospital.  During that time, I observed patients receiving gentle hand massages using simple blends of lavender and sweet marjoram, fragrances that captured my attention and also my curiosity. In those moments of connection, where touch was non-medicalised, a different level of communication was taking place. Patients were visibly relaxing by this compassionate form of physical touch and tangible act of caring.  For me, something transformational happened as I listened to these patients speak of their restful night’s sleep and tranquil dreams; a paradox given this was a busy hospital environment and they were all confronting a life-threatening diagnosis of cancer.  This discovery of a different level of patient care spoke straight to my heart.

Continue reading

Denise Tiran on Using Natural Remedies in Pregnancy and Childbirth

Denise Tiran HonDUniv FRCM MSc is an internationally renowned authority on maternity complementary medicine, having pioneered the subject as a midwifery specialism since the early 1980s. She is Chief Executive Officer and Education Director for Expectancy, an independent education company providing complementary therapies courses for midwives, doulas and other maternity workers. Denise was awarded an Honorary Doctorate by the University of Greenwich in October 2020 and a Fellowship of the Royal College of Midwives in 2018 in recognition of her work in this field.

Here, she introduces her new book, Using Natural Remedies Safely in Pregnancy and Childbirth: A Reference Guide for Maternity and Healthcare Professionals.

I’ve been publishing on maternity complementary therapies for many years but the huge increase in popularity of natural remedies, including aromatherapy oils, herbs and homeopathic remedies led me to write this latest book. Expectant parents frequently ask midwives, doctors, doulas and antenatal teachers about the use of remedies such as raspberry leaf tea, and for remedies such as castor oil and evening primrose to start labour. The massive rise in popularity of aromatherapy in pregnancy and birth also means that parents often ask about essential oils, or want to bring them into the birth centre for use in labour. This can sometimes put the midwife or doctor in a difficult position because they may know very little about the oils and which are safe or not. Continue reading

Ann Carter Introduces HEARTS and What it Means for Cancer Care

A multisensory approach to facilitating relaxation in cancer care using aromatherapy, touch and voice, the HEARTS process – created by Ann Carter – offers a new way to help patients achieve a state of relaxation and calm as quickly and easily as possible.

In their new book, Combining Touch and Relaxation Skills for Cancer Care, Ann Carter and Peter Mackereth discuss principles which may influence the effectiveness of touch and relaxation therapies, emphasising that there are approaches that can be learnt and utilised by healthcare workers (and carers) who are not qualified in any therapies when working with distressed and vulnerable patients. Continue reading

Meet The Singing Dragon Author: Pam Conrad

As part of our Meet The Singing Dragon Author series, we speak to authors to discuss their motivation for entering their respective industries, inspiration for writing their books, what challenges they faced, and who they would recommend their books to. Is there a specific Singing Dragon author you would like to hear from? Let us know in the comments or join the conversation using #MeetTheSDAuthor.

Pam Conrad, author of Women’s Health Aromatherapy

How did you become interested in aromatherapy?
As a nurse, I’ve always been interested in complementary therapies that enhance health and wellbeing and offer support for the side effects of medical conditions and treatments. Prior to aromatherapy, I studied herbal medicine and nutritional therapies so it was a natural addition for holistic care.

I’ve also always loved pleasant scents and flowers so the idea of a clinical therapeutic modality with beautiful scents was very appealing to me. Continue reading

Meet The Singing Dragon Author: Lydia Bosson

As part of our Meet The Singing Dragon Author series, we speak to authors to discuss their motivation for entering their respective industries, inspiration for writing their books, what challenges they faced and who they would recommend their books to. Is there a specific Singing Dragon author you would like to hear from? Let us know in the comments or join the conversation using #MeetTheSDAuthor.

Lydia Bosson, author of Hydrosol Therapy

How did you become interested in aromatherapy?
I discovered aromatherapy about thirty years ago. A friend had given me an essential oil of lavender and one of neroli. As the effect of these two essences impressed me so much, I decided to deepen this knowledge. Subsequently, I tried many essential oils and hydrosols on myself and those around me. The rest is history – and fortunately, the collective spirit has opened up to alternative medicine in recent years. Continue reading

The Influence of Scent on Ageing and Health

An interview with our author, Jennifer Peace Rhind, by Linda Gray. This interview is also featured in the Christmas edition of Good Housekeeping.

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Are there any scents apart from grapefruit that make us seem younger?

Grapefruit is perceived as an ‘activating’ scent, and is associated with energy and freshness and indeed youth! But does this mean that wearing a grapefruit fragrance will make us appear younger?

Maybe – we might feel energised, and this can affect how we behave and project our self, and this may give the superficial impression of youth. Continue reading

Choosing Essences for yourself

Lilly_Essence-Practit_978-1-84819-250-8_colourjpg-printby Sue Lilly, author of The Essence Practitioner: Choosing and using flower and other essences

Many of us visit practitioners if we want essences, but some of us have our own essence collections and need effective ways to choose essences for personal use. For essence practitioners for instance there is always the question of how to best choose essences for yourself. Choosing for oneself is always an interesting exercise: trying to overcome the biases of our conscious mind and our underlying unconscious predilections so that we can actually choose essences that can be helpful for more than just superficial issues.

The traditional method of choosing, often called ‘pattern matching’ or the ‘logical method’, compares the qualities of the essences, as described by a producer or author, with the symptoms, emotions or thoughts that are being experienced. Depending on what has been written about an essence it may be possible to make a choice for an aspiration or a final goal. The advantage of this method is that anyone can work in this way. The disadvantage is that it relies on the capability of the individual to be able to identify – or reflect on – personal symptoms, emotions or thoughts without being influenced by his or her own judgment.

Moreover the descriptions of essences are limited to what the producer or author has written. No matter how many carefully written words, it is only going to describe a fraction of what the essence is capable of doing when interacting with a person or an animal. So this method of choosing essences for their own personal situation has limitations.

Another method of choosing essences for oneself is by pendulum dowsing or self-testing (muscle-testing). However, unless precautions are taken, the accuracy of these methods can be undermined and over-ridden by the conscious and unconscious parts of the mind. The power of these areas of our being can influence those choices that are often accepted gratifyingly by the conscious mind, as these choices appear to confirm our dominant beliefs and wishes. The types of steps that need to be taken to improve accuracy are grounding, or anchoring, personal energies and centring personal energies. Grounding can be simply imagining roots growing out of the feet, deep down into the Earth. Being dehydrated or very hungry can impair the ability to ground personal energies and to keep a good connection with the planet. The simplest way of centring is by ‘tapping in’.  Here the person does a firm, light tapping with the fingertips on the area of the upper chest just below where the collarbones (clavicles) meet the breastbone (sternum). This is the approximate placement of the thymus gland, an important maintainer of the subtle energy balance in the body. Whilst the thymus is being tapped, the other hand is placed palm open, over the navel. This allows the centring effect to last longer.

The methods above are adequate for choosing essences for oneself, but it is very useful, when treating someone close to you emotionally, to have a few more methods that can also divert the conscious mind and the other dominant areas of the brain.

Here are some examples. Make a list of numbers that correspond to the number of essences you have available. Then enter the name of those essences randomly to create a list. With the situation you want help with in mind this list of numbers can then be dowsed or muscle-tested for help with a particular personal issue without the list itself present and without input from the conscious mind. Personally I find this method works really well. The emerging essence or essence combinations brings surprising good results.

Another method is to create some small cards and write the name of an essence on each one. Then, placing them face-down, with the situation you want help with in mind, choose from the cards.

It could be easy to dismiss methods like these as having no use. However, it is easy for our conscious minds to ignore or belittle the depth of knowledge within us, and the access to knowledge of which our unconscious mind is capable. After all, our conscious mind is in charge, isn’t it? If we really want to get to the underlying causes of ill health, remove sabotaging thoughts or release toxic emotions we have to go beyond our everyday levels of consciousness and find ways to access the vast storehouse of knowledge of our unconscious mind.

When working as a practitioner, with a client, it is easier to stay detached and thereby have easy access to deep levels of consciousness. However, when working on ourselves or on those close to us, it is almost impossible to gain a similar level of detachment using methods we would use for clients.

I would suggest trying the ‘number’ or ‘card method’ without expectation and indeed, maybe with a playful approach for issues you want to resolve for yourself and see what happens!

Sue Lilly is the author of The Essence Practitioner: Choosing and using flower and other essences, she has been involved in many aspects of healing for over thirty years. She has a wide ranging experience as a therapist and  teacher – Flower Essences, Crystal Therapy, Astrology, Yoga, Meditation, Colour Therapy, Nutrition, Spiritual Development and Counselling. Sue is a qualified teacher and holds a Diploma in Clinical and Creative Supervision. She is an Advanced Practitioner and Tutor with the British Flower and Vibrational Essences Association (BFVEA), the Secretary of the British Association of Flower Essence Producers (BAFEP), joint Life President of the Affiliation of Crystal Healing Organisations (ACHO) and joint chair of the Japanese Crystal Healing Institute (JCHI). She has developed and produced Sovereignty Essences which complement the Green Man Essences created by Simon Lilly in 1991. She lives near Llangammarch Wells, Powys, Wales, UK.

Meditation for midwinter

by Jennifer Rhind, taken from A Sensory Journey: Meditations on Scent for Wellbeing

rhind midwinter meditation imageIt is midwinter. It is cold, water has crystallised into ice, the land has frozen over and the power of the sun has diminished. Nature is dormant – the animals are hibernating, everything has slowed down, conserving energy for future survival.

You are standing at the edge of a forest. It has been snowing; the landscape has been covered with a blanket of snow. Focus on your ears, and sense of hearing. All sound has been deadened – this is as close to silence as you have ever felt.

It is almost sunset. You slowly emerge from the wood and stand at the edge of a wide, sandy bay. The sea is dark blue, reflecting the late afternoon sky, and the wind is capping the waves with white foam. The tide is coming in, and you walk up to the edge of the sea where the waves crash on to the shore. The roaring of the sea as it drags on the sand fills your head.

You breathe deeply, drinking in the salty air, with its tang of seaweed. You become aware of the power of the sea – and feel a strange combination of fear and excitement, an overwhelming exhilaration.

You watch the waves that break on the shore at your feet, and become one with their rhythms and patterns.

Now look to the horizon. The fading sun, now a dull red, is low in the sky, its light turning the sea foam to pink. You notice that some of the waves are becoming larger, rising above the water; these are the mythical white horses. As you watch, you wonder what it would be like to ride the waves.

As the white horses draw closer to the shore, you merge with the illusion, and find yourself riding the waves. The roar of the sea is all encompassing, white foam blows all around, and you are moving with the swell of the ocean, diving into the troughs, and rising over the crests… the experience is exhilarating, natural and flowing. You notice dolphins and porpoises all around, and then you too become a creature of the sea.

Your white horse carries you back to the shore, and you watch as it disappears into the sea foam. You are standing, looking out over the sea, which is now very calm and quiet, little ripples caressing the sand at your feet. The sun is now very low in the sky; you watch the red disc slip over the horizon, its light reflected in the calm water.

Now your senses are anchored. Your experience has allowed you to realise that you have abundant courage, judgement and will. You now turn and head back to the forest. Ahead, the snow brightens the scene, and your pace quickens. You reach the forest and, in the fading light, retrace your tracks back through the trees.

You are heading back to your log cabin, where the fire will be burning. The fragrance of wood smoke lingers in the still air. This is your midwinter haven. As you walk, you reflect and review. This is the season to rest, be still, and listen to the wise person within. You are your own catalyst for growth in the coming spring. Now is the time to plant the seeds of your dreams. It is a time for being, not doing.

 

Jennifer Peace RhindJennifer Peace Rhind is a Chartered Biologist with a Ph.D. in Mycotoxicology. For thirteen years she worked as a therapist and partner in a multidisciplinary complementary healthcare clinic.. She was a lecturer on the B.A. Complementary Healthcare programme at Edinburgh Napier University for fourteen years, and remains involved in scent education. A Sensory Journey is a set of cards and booklet exploring different fragrances and giving guided meditations on scent for wellbeing and spiritual growth.

Osmanthus – the Scent of an Oriental Autumn

 

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In Scotland, we have just enjoyed an uncharacteristically glorious summer, full of beautiful scents. Autumn can be wonderful too, but then it is more the rich pallete of colours that we appreciate – our visual sense tends to dominate the season. Here, if we are asked to identify the scents of autumn, we might think of fallen leaves, damp earth, pumpkins and gourds, bonfires, wood smoke, maybe coniferous forests. However, there is one beautiful scented flower that, in China and Japan, is very much associated with autumn, and that is osmanthus.

Osmanthus fragrans is a woody, evergreen flowering shrub. In China it is known as kweiha, and the scent of the blossoms is loved and renowned; and indeed has been described as the quintessential scent of China.  It has been cultivated for hundreds of years, and is often found at Buddhist temples, where it is planted in groves. Osmanthus is very much considered to be an autumn flower, despite the reality that some varieties bloom all year round, hence the name ‘osmanthus four seasons’.  The flowers range from silvery white to reddish orange, but the most fragrant are the orange-yellow varieties. Osmanthus blossoms fill the air with their diffusive, floral-fruity fragrance, and when they fall from the shrubs and carpet the ground, the scent persists for many hours (Kaiser 2006). It is no wonder, then, that they grace such special places, and are held in such high regard.

Traditionally, like jasmine, dried osmanthus flowers are used to flavour both green and black teas, however the scent is very different, and quite distinctive. An absolute can be extracted from the flowers. This is very costly – it is an amber or greenish, thick liquid, with a complex, rich, sweet, honey-like, floral scent with prominent notes of plums and raisins, and apricots (Warren and Warrenburg 1993; Kaiser 2006). Because of its complexity, and the unique relationship between its floral and fruity notes, the absolute has the qualities of a perfume, in that its scent has many dimensions. It is impossible to attribute its scent to a handful of constituents, however it would be reasonable to say that β-ionone (woody, floral, violet, slightly fruity, with cedarwood, raspberry nuances) and dihydro-β-ionone, γ-decalactone (powerful, peach-like) and related lactones, linalool (light floral, woody), nerol (sweet, floral, seaweed-like) and geraniol (sweet, rosy) have a major impact (Kaiser 2006).

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Turin and Sanchez (2009) discuss the use of osmanthus in perfumery; they suggest that it is actually a ‘ready-made’ fragrance, and that the perfumer’s skill is in reviving it after the solvent extraction process! They illustrate this with two fragrances composed by Jean-Claude Ellena – Osmanthus for The Different Company (2001), which is true to its nature with peach and lemon top notes, and the uplifting Osmanthe Yunnan for Hermès (2005) which pays tribute to its traditional uses by including Yunnan smoked tea notes alongside freesia, orange and apricots. Other well known, ‘mainstream’ fragrances that claim to include osmanthus or an osmanthus ‘note’ are Eternity (Calvin Klein 1988), Escape (also Calvin Klein 1991, but since reformulated), and Sunflowers (Arden 1993). The artisan perfumer Alec Lawless, who worked mainly with natural raw materials, commented on his experience working with osmanthus absolute when composing Kuan Yin (Essentially Me); it produced an unexpected, delicate note of peach blossom (Lawless 2009).

It would seem that the fragrance of osmanthus has, for a long time, been regarded as uplifting. A study on the mood effects of fragrance conducted by Warren and Warrenburg in 1993 included a synthetic version of osmanthus. It was shown to increase feelings of stimulation and happiness, decrease feelings of irritation and stress, and prominently decrease depression and apathy; it had no significant effect on feelings of sensuality or relaxation. So, in the west, where we cannot readily access the fragrant flowers, we could consider using the scent of the absolute to lift our spirits. As autumn progresses, and after the equinox the days grow shorter and darker, many of us experience low mood, lethargy or even ‘seasonal affective disorder’. Osmanthus can offer us a beautiful, safe way to restore balance.

Jennifer Peace Rhind is a Chartered Biologist with a Ph.D. in Mycotoxicology from the University of Strathclyde. Her long-standing interest in Complementary and Alternative Medicine (CAM) has led to qualifications in massage, aromatherapy and reflexology. She co-founded the first professionally accredited CAM school in Scotland and remains involved in scent education. She has written several books on aromatherapy, published by Singing Dragon, the latest is Listening to Scent, a guide to training your olfactory palate. She lives in Biggar near the Scottish Borders.

References

Kaiser, R. (2006) Meaningful Scents around the World. Zurich: Verlag Helvetica Chimica Acta & Wiley VCH.

Lawless, A. (2009) Artisan Perfumery or Being Led by the Nose. Stroud: Boronia Souk Ltd.

Turin, L. & Sanchez, T. (2009) Perfumes: The A-Z Guide. London: Profile Books Ltd.

Warren, C and Warrenburg, S. (1993) Mood benefits of fragrance. International Journal of Aromatherapy 5, 2, 12-16.

 

Singing Dragon New and Bestselling titles Autumn-Winter 2014 and 2015

This fully interactive brochure has all of the new Singing Dragon titles for the Autumn and Winter of 2014 as well upcoming titles for 2015. In here you will find books on Chinese medicine, complementary therapies, martial arts, nutrition, yoga, ayurveda, qigong, Daoism, aromatherapy, and many more alternative therapies and ancient wisdom traditions.


Click on the covers or titles to be taken to the book’s page on the Singing Dragon website. If you would like to request hard copies please email hello@intl.singingdragon.com with your details and the number of copies you would like.