Chinese Medicine

Explore the sounds of The Tzolkin Trilogy – Yidaki music for sound therapy

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The didgeridoo, or yidaki, is one of the most ancient musical instruments on Earth. The Tzolkin Trilogy, by Daniel Reid and Si Mullumby, showcases the primal sound of the didgeridoo as it has never before been heard, in three original compositions, based on the Mayan calendar. This unique sound has been shaped and developed into a form that can act as a tool for healing and spiritual awakening.

Using the Traditional Chinese Medicine principle that degeneration in the physical body is caused by imbalance and functional disharmony within the energy system, the sound vibrations work to connect with the human body’s natural energy vibrations, in order to rebalance and restore their functional harmony and imbue the listener with a renewed sense of lightness and freedom.

Listen to a clip from Track 1: Habla Tune – The Cellular Sound

 

Copyright © Singing Dragon 2012.

 

Singing Dragon attends the 2012 TCM World Congress in Rothenburg, Germany

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This month, Singing Dragon was delighted to attend the TCM Congress in Rothenburg, an event which over the past 43 years has built a strong reputation as a key gathering for learning, discussion and development within the field.

This year’s focus was on fertility and paediatrics in Chinese Medicine, subject areas particularly relevant for Singing Dragon given our recent array of books for those working with children, as well as a new title in the pipeline on acupuncture for fertility.

Singing Dragon author Gordon Faulkner provided a number of popular sessions on Qigong for the kidneys, as well as for stress relief and prevention, making use of the idyllic riverside location and rolling hills of the conference venue.

True to form, there was also a healthy emphasis on fun and relaxation, and a series of concerts, dances and bonfire socials helped to refresh and balance Qi whilst bringing practitioners together.

As a first-time exhibitor, it was particularly rewarding to be able to meet with so many of our readers – thank you to those who did for visiting our stand.

And for those of you who entered our mailing list competition, congratulations go to Donald Halfkenny who has won a copy of Tianjin Liu’s Chinese Medical Qigong.

We shall hope to see you at next year’s congress, but until then please visit our website and Facebook page for all of the news on our latest releases.

Copyright © Singing Dragon 2012.

How can a new acupuncture practitioner become a great practitioner?

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By John Hamwee, author of Acupuncture for New Practitioners.

Students come out of College full of enthusiasm for acupuncture, inspired by treatments they have witnessed and keen to help patients who have found no solace in other systems of medicine. It is a wave they can ride for quite some time, and one which often helps them to do extraordinary work. But sooner or later they will come up against difficulties and dilemmas which are really challenging and which they will need to resolve if they are going to carry on doing good work. These difficulties may have been mentioned at College, but living through them is quite a different matter. How do you cope, for example, with a patient who insists of coming every week but shows absolutely no signs of improvement? Or who is clearly getting better but denies it? Or with a sudden influx of young adult patients with cancer?

My new book, Acupuncture for New Practitioners, provides some practical tools for dealing with situations like these, but in the end what it is all about is learning to practice in a way that does not deplete or exhaust you – a familiar experience for many practitioners – but instead nourishes and sustains you. It is quite simple, really, but it is profound; and once grasped it will affect not just your work but the whole of your life. For being able to stay steady in the face of suffering, to be compassionate towards those who annoy or frustrate you, to refuse to become downcast by failure or puffed up by success, and to find joy for oneself through helping others – these surely will enhance everything you do outside as well as inside the treatment room.

This book comes from two sources. One is that I found the first few years of practice really difficult. It took me many laborious years to learn the lessons contained in this book and it would have saved me much struggle and heartache if it had been available then. Secondly, I had the opportunity a few years ago to work in a clinic with a group of young qualified, but inexperienced acupuncturists, helping them with their diagnoses and treatments. What I saw, of course, is that they were falling into exactly the same sort of traps that had ensnared me, were puzzled by the kinds of responses to treatment that had troubled me, and were generally trying so hard to do everything right that they were missing what really mattered. I wrote this book for them. And I hope you can still hear the tone of an affectionate talk to a few dear friends – for that is what it is.

John Hamwee has been a practising acupuncturist for 20 years. He also teaches zero balancing workshops in the UK and US. He is the author of Zero Balancing: Touching the Energy of Bone and Energy Medicine. He previously worked as a Senior Lecturer in Systems at The Open University, UK, for whom he wrote numerous textbooks. He resides in Kendal, UK.

Copyright © Singing Dragon 2012.

Novels as journeys deep into the human heart: Marte Brengle remembers her grandmother, the novelist Evelyn Eaton

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Marte Brengle is the novelist Evelyn Eaton‘s eldest grandchild and only granddaughter. She is also a writer, and manages the family publishing company, Logan Books. Here, she shares some personal memories of her remarkable grandmother and reflects on the personal significance of Eaton’s books, Go Ask the River and I Send a Voice.

Photo: “Four generations of women – Gran, my daughter Meghan, me and Mom – taken just a few months before Gran died. I think it represents all that was happy about our relationships.” (Courtesy of Marte Brengle)

Your grandmother, the novelist Evelyn Eaton, lived an enormously rich and varied life. How much did all this come through when you were growing up? Or are you still finding out about her?

I didn’t know a lot about Gran’s life until I read her autobiography in 1974. She told us some stories about her life, but there was a lot she didn’t talk about. My third novel is based on her life, my mother’s, and my own, and in re-reading Gran’s autobiographical books I have had to extrapolate and fill in the blanks a lot. I wish I had thought to ask her to annotate a copy of her autobiography, because as I’ve re-read it this past year I can see she put in some very subtle hints about the parts of the story she left out. In many ways, Go Ask the River is Gran’s story just as much as it is Hung Tu’s. The paralells are quite striking. I named my son after her father, since my son was born 60 years almost to the day after his namesake was killed at the battle of Vimy Ridge.

Evelyn’s books ranged across wide territory. The two in the Singing Dragon list cover very different worlds – the life of the Chinese Tang dynasty poet Hung Tu, and initiation into Native American Sweat Lodge ceremonies. Do you think that for her there was a connection between the two?

My grandmother was always interested in the supernatural world, and the ways in which spiritual beliefs shape people’s lives. She could see the supernatural quite clearly. I think she believed she was the reincarnation of Hung Tu, and also the descendant of Native Canadians, so she herself provided the connection between the two. She always said: “There are many paths to the center, and all of them are true.”

Her book about ancient China brings to life a completely different world, and as Chungliang Al Huang’s Foreword recounts, was based on a strange and intense experience she had while a war correspondent in China. And of course as a Native American Medicine Woman, she must have carried much information she could not talk about. Was this obvious in meeting her? What was she like as a grandmother?

Gran always seemed to understand me, and what was in my mind, far better than my mother did. Even though we weren’t together much (separated by geography), I always felt I could tell her anything and ask her anything and she’d understand what I meant even if I didn’t express it properly. She understood my brothers in the same way. To me it was obvious that she was deeply connected to the supernatural world, and it was clear to some other people as well. I don’t know how she was perceived by the world at large, but clearly she was a remarkable person and would have gotten anyone’s attention.

I remember in the spring of 1975, my husband and I took the train from our home in Kansas to visit Gran in California. Gran could tell the future with a pack of ordinary playing cards and she was very good at it, although it wasn’t something she liked to do because of the possibility of seeing something bad. I asked her to read the cards for me. At the end of the process, the person whose future is being told is asked to pick three cards while thinking of a question that can be answered yes or no (without asking it out loud). My silent question was “Will I have a child within two years?” Gran looked over the cards and immediately said “The answer is yes, and if you’re asking about a child, it will be a boy.” When I was expecting my first child, my doctor – who didn’t to ultrasounds, amniocentesis or any of those things – told me she thought I was expecting a girl, so I went through the whole pregnancy thinking I’d have a daughter. But, as Gran predicted, the child was a boy, born almost exactly two years after the prediction.

Did she continue to be interested in China and the Oriental arts throughout her life?

I think she did. She always had Chinese artifacts in her homes, and she burned Chinese incense in her writing room before she began burning sage. I inherited some of the embroidered silk panels she brought back from her trip as a war correspondent. They’re faded now, but I keep them on the wall as a reminder of Gran.

Do you know what took her to the immersion in the Arapaho healing traditions that occupied the last years of her life?

If you read her autobiography, The Trees and Fields Went the Other Way, you can see how she encountered Native spirit guides very early in life. She always connected with people, and I think when she moved to California it was only natural for the Paiutes to come to trust and accept her. It wasn’t an easy path, because they were quite rightly wary of revealing too much to outsiders (and indeed, the Sweat Lodge to which she once belonged has been closed to outsiders for many years now, as Eagle Man’s descendants think differently about the inclusion of non-Indians).

I Send a Voice is such a powerful account of the process of change and becoming. Did her relationship with the family change also during that time?

We were separated by great distances while this was happening – my family in the midwest and Gran in California. She didn’t talk about it much in the beginning, so we weren’t affected by her new understanding of the universe. After my mother and two younger brothers moved to California, they got involved in the Sweat Lodge and it was clear that it had a great personal connection for them as well. I attended one Sweat Lodge ceremony and was so overwhelmed by it that I turned down later invitations to join in.

What happened to her pipe after her death?

My mother inherited Gran’s pipe. She talked about giving it to other people several times over the years, but my brothers and I always maintained that it should stay in the family. My mother left no instructions about Gran’s pipe when she died, so it remains with my second brother, who bought the house Mom lived in and took care of her during her last days. My brothers and I have talked a bit about what should happen to it but we have never really decided one way or the other.

You are also a writer – how did you grandmother and her books inspire your own writing?

Although I had done a lot of technical writing and had written magazine articles, reviews and the like, when I first tried my hand at writing a novel it took me more than twenty years to complete it! The good thing about that is that I was a much better writer by the time I finally got it done. My two published novels are stories about people trying to make peace with their pasts. No high drama and flashy action, just human stories and human nature. My third novel is based on my grandmother’s life, my mother’s and my own. It will be a very long book, covering the time span from 1902 to about 1980.

Gran’s stories were also about human problems and human nature. With Go Ask the River, especially, she went deeply into the human heart. I did not start out thinking I was going to be a writer. I tried a lot of other things before going back to the novel I’d half-heartedly started. I realized there was a better story to be told than what I’d written, and I drew on some of the advice Gran gave me when I went back to work on it. She said you have to know your characters almost as well as you know yourself. I didn’t quite manage that, because my characters kept suprising me by saying and doing things that I didn’t consciously have in mind, but I did try to keep them, and what they said and did, as realistic and true to life as I possibly could.

Evelyn Eaton (1902-1983) was born in Montreux, Switzerland to Anglophile Canadian parents, and educated in England and France. She began writing while still in her teens; her first collection of poems was published in England in 1923 (the same year that she was presented at court) and her first novel in 1925. She became an American citizen at the age of 42, and was a war correspondent in China, Burma and India in 1945, then a lecturer at Columbia University from 1949 to 1951. Partly Native American (related to the Algonquians of New Brunswick, Canada) her later years became increasingly focused on Native American culture and mysticism. She wrote thirteen novels, five volumes of poetry, two collections of short stories, and seven other books. For many years she was a contributor to The New Yorker and other journals.

Copyright © Singing Dragon 2012.

VIDEO: An Interview with Master Herbalist Philip Weeks – author of Make Yourself Better

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Philip Weeks is a leading expert on natural medicine and nutrition and is a master herbalist and acupuncturist. He is well versed in Ayurvedic, Arabic, Chinese and Greek medicine and utilises these systems by making them relevant to today. Philip is known for his pioneering, passionate and positive approach to helping people achieve their optimum health.

In this video interview, Philip discusses the principles behind his new book, Make Yourself Better: A Practical Guide to Restoring Your Body’s Wellbeing through Ancient Medicine.

 

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Watch the official book trailer!

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Read a Preview of Make Yourself Better »

Copyright © Singing Dragon 2012.

London Event: Free Talk by Master Herbalist, TCM practitioner and author Philip Weeks – Nutri Centre Bookshop, 29th Feb

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On Wednesday, 29th February, Singing Dragon author Philip Weeks will be giving a free talk at The Nutri Centre Bookshop in London, UK.

Make Yourself Better
Restoring Your Body’s Wellbeing through Ancient Medicine

with Philip Weeks, Master Herbalist & TCM Practitioner

Applying his deep understanding of holistic medical traditions from both East and West, Philip Weeks guides the reader through the process of restoring the body’s wellbeing using a simple combination of natural techniques, diet and herbal medicines. He explores five key interconnected areas through which wellbeing can be attained – nourishment; detoxification; lifestyle; activation; and mind, emotions and spirit – based on his analogy of the wheel of health.

Philip’s new book Make Yourself Better: A Practical Guide to Restoring Your Body’s Wellbeing through Ancient Medicine will be available to purchase at the event.

More About the Book

Philip Weeks is a leading expert on natural medicine and nutrition and is a master herbalist and acupuncturist. He is an engaging, informative presenter and is renowned for his deep understanding and knowledge of ancient medicine. He is well versed in Ayurvedic, Arabic, Chinese and Greek medicine and utilises these systems by making them relevant to today. Philip is known for his pioneering, passionate and positive approach to helping people achieve their optimum health. He is a frequent lecturer on herbal medicine and holistic health.

Event Details

Place:     The Nutri Centre Bookshop, 7 Park Crescent, London W1B 1PF
Date:      Wednesday, 29th February 2012
Time:     7pm to 8.30 pm (approx).
RSVP:     No need to book! Just bring yourself – and a friend – along!

Download the flyer

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Qigong is the source of Chinese medicine

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Master Zhongxian Wu is the lineage holder of four different schools of Qigong and martial arts. While in China, he served as Director of the Shaanxi Province Association for Somatic Science and the Shaanxi Association for the Research of Daoist Nourishing Life Practices. He has now been living and teaching in the West for just over ten years, and in February 2012 will visit the UK for a series of lectures and workshops celebrating the new Chinese year of the Water Dragon.

We are honoured to publish this special extended interview with Master Wu.

Master Wu, thank you so much for agreeing to talk to Singing Dragon. I think you have just celebrated ten years of living in the West. Have you found over that time that our understanding of Chinese medicine has changed?

The Western understanding of Chinese medicine has definitely changed in the last ten years. I have noticed two main changes, with respect to the general public and the practitioners themselves. In terms of the general public, more and more people recognize the efficiency of Chinese medicine to meet their health care needs. More people are embracing Chinese medicine treatments because they want minimal unwanted side effects (or better yet, none at all) and also want to build up their health in order to prevent a future illness. In terms of Chinese medicine practitioners, I have seen that more practitioners are looking to understand the roots of Chinese medicine, and are emphasizing their own personal cultivation (for example through meditation, Qigong practice, studying the Yijing, Chinese astrology, etc.) to help them deepen their knowledge of Chinese medicine. Also, I see more practitioners are educating their patients about how important it is to strengthen their own Qi by improving their daily lifestyle habits and having a commitment to some internal cultivation practice.

How can Western practitioners best prepare themselves for studying Chinese medicine?

In terms of studying Chinese medicine, there is no difference in preparation for a Western practitioner or an Eastern practitioner. The best way to prepare is to do personal cultivation. In the Chinese medicine traditional education system, before the Master teaches you anything about medicine, they always first stress that you learn to be a good person and to cultivate your virtue. A good doctor first needs to be a good person, and have a good heart to help others. Traditionally, you didn’t learn medicine as a business venture to make tons of money. For the Master to share knowledge with you, he/she has to be clear that your deep purpose and drive is to help others. The HuangDiNeiJing (the Yellow Emperor’s classic text of Chinese medicine) emphasizes that you have to be careful not to teach certain skills to the wrong person – the wrong person, meaning someone who does not carry a high level of virtue.

You are lecturing at the Confucius Institute in London in February on the topic of Qigong as the basis for Chinese medicine. Can you say a little about why this is such an important topic?

Yes, Qigong is the source of Chinese medicine. The whole system was discovered by ancient enlightened beings who made profound connections about their bodies and Nature while in heightened Qigong states. According to the QiJingBaMaiKao (Investigations into the Eight Extraordinary Vessels), a book by the Ming Dynasty’s famous herbalist LiShiZhen’s, the subtle energies of the inner pathways of the body (for example the pulses, the points, the meridians, and even the organs themselves) may be seen only by those who cultivate Fan Guan (literally, ‘reverse observation’), or the ability to look within with clarity. LiShiZhen concluded that only high-level Qigong practitioners could see the meridian systems. Before the modern term Qigong became popularized, all Qigong cultivation practices (including seated meditation) were known as Guan, which itself means ‘observe or observation’, and implies self-observation.

Also, to develop an appropriate herbal formula for someone requires an understanding of Qi harmonization. Chinese herbal medicine was first taught by the ancient shaman king ShenNong (Divine Farmer). Actually, the first Chinese book of herbal medicine, ShenNongBenCaoJing is named after him and it is generally accepted that he wrote it as well. Our legends say that, through tasting the herbs, he was able to feel the different quality of Qi in each herb and understand how it relates to the Qi of the organ and meridian systems in the body. This kind of sensitivity and awareness was possible because he was a very high level Qigong practitioner, and was able enter into heightened states of consciousness and perception.

There would be no Chinese medicine without the ancient shamanic Qi cultivation practices of Qigong.

Would you tell us a little more about Qigong? Many people in the West are confused about what it is.

Qigong is modern, popularized term for an ancient method of physical, mental and spiritual cultivation. It can be translated into English as Qi cultivation, spiritual cultivation or working with the Qi. By the way, by Qi, I mean the vital energy of the universe that keeps everything alive. Qigong practice models a harmonious way of life and has been used throughout thousands of years of history by those who wish to attain Enlightenment.

Qigong involves working with the three parts of the body (Jing, Qi and Shen). In Chinese, Jing means essence and represents the physical body. The physical body is our structure and our container. It holds our essential life energy, our Qi body and our spiritual body. We can strengthen our physical bodies by practicing special Qigong postures. As I mentioned before, Qi translates as vital energy of the entire universe, including of course, the vital energy of your body. Your breath is deeply connected with the Qi body. Qi can also be translated as ‘vital breath’. In Qigong, we cultivate our Qi body by maintaining awareness of our breath and by learning techniques to regulate our breath. This will increase our vital energy or life force. The Shen means spirit, and represents our spiritual body. In general, our mind is related to our Shen. Once we pay too much attention to the external world or worry too much about what is going on in our life, we weaken our Qi. If we are always looking outside, we leak our spiritual Qi. In Qigong practice, we learn to look within in order to preserve our life energy.

How does it relate (if it does) to practices such as Yoga?

I have never practiced yoga, so I don’t have the personal experience to be able to talk about how it relates to Qigong. However, a number of my students are yoga practitioners by profession, and many of them connect their Qigong practice with their yoga practice. They have found that elements of their Qigong practice complement their yoga practice so that in general, the practices enhance each other.

What is the purpose of your cultivation/Qigong practice?

From the view point of Daoist practioners, the Daoist tradition is the immortal tradition. The purpose of Daoist cultivation practices is to become immortal. This often begs the question of what exactly is meant by immortality. In Chinese, the word for immortal is Xian, which is an image of a person who lives on a mountain. Throughout history, many Daoist masters have referred to themselves as ShanRen– Mountain People – because they spend long hermitages in the mountains (or anywhere in nature), cultivating their true humanity. Another word for immortal is ZhenRen– real or true human being. From the Chinese ideograms, we can see that the concept of an immortal is of one who has cultivated good health, happiness, and humanity and embodies these qualities in everyday life.

The idea of immortality or everlasting life has nothing to do with yearning to live forever. On a superficial level, of course no living being can escape death. Death is simply a part of the universal Five Elements natural cycle. However, death is always accompanied by the process of rebirth. In this way, there is no death. In the Immortal’s tradition, we have an expression – XinSi ShenHuo, which translates into English as “allow your heart to die so that your spirit will live.” I interpret this to mean that by embracing death and bringing it gracefully into our hearts, we understand the knowledge of immortality. This, to me, is enlightenment.

Yes, our lives are short – no matter how long we live, compared with the long stream of the time of the Universe, our lives are just a momentary sparkle. Sometimes, when people physically die, their spirits remain very much alive. The quality of our lives is not measured by the time we spend in this world, but how we learn to transform our personal emotional energy into a force that can help others.

You are also teaching a couple of workshops in the UK in February. They sound very interesting – can you tell us a little more about the practices?

Of course. I am excited to be teaching Fire Dragon Qigong in London and Five Elements Qigong in Oxford. Both are traditional Chinese Qigong forms.

Fire Dragon Qigong embodies the spirit of the rising dragon, which is an auspicious symbol of transformation in Chinese culture. Regular practice of this form establishes free flowing Qi in the 12 meridian systems of the body. It also helps transform areas of stagnation, thereby bringing the physical and emotional bodies into a balanced state of well-being. Actually, according to the Chinese calendar, the year of the Dragon begins on February 4, 2012. I will teach Fire Dragon Qigong that same weekend in honor of the Dragon and the great global transformation that will happen in 2012.

The Five Elements theory lies at the heart of classical Chinese philosophy and healing principles and is the foundation of Chinese cosmology and Chinese medicine. The Five Element Qigong form helps harmonize the Five Element’s Qi in our bodies and organ systems with the Five Element’s Qi of the Universe. Regular practice will help us smoothly navigate change in our lives.

What in your view are the greatest benefits of practice for people looking for a healthier lifestyle?

In the traditional Chinese healing system, the definition of medicine is something that embodies these three qualities: vitality, joy and harmony. Anything may be considered medicine, and doesn’t necessarily have to be a physical object. Instead, medicine is any object, event, thought or action that increases your vital energy, brings you joy (that you then can share with others), and helps you live harmoniously with yourself, with your family and friends (and society as a whole), and with Nature. In Chinese tradition, we consider Jing, Qi and Shen to be the best and most important medicine in the world. The greatest benefit of a regular Qigong practice is that you learn to access and optimize your own best medicine within – your Jing, Qi and Shen – to support your daily life.

Does a knowledge of Chinese medicine increase the benefits of Qigong?

Yes and no. In my experience, everyone who has a regular practice of a traditional Qigong form receives benefits from their practice. In ancient times, Chinese medicine was discovered through the practice of Qigong, and it gave a pathway of understanding the Universe through each individual body. In this way, the benefits of Qigong practice precede formal knowledge of Chinese medicine itself. In modern days, we often go the opposite direction, and use prior knowledge of Chinese medicine to help guide the practice. People who have taken time to study Chinese medicine may have a better idea of the specifics of how the Qigong form is working in their bodies. In spiritual cultivation practice, there is a phenomenon called “knowledge stagnation”, where having a lot of knowledge and thinking too much about what you think the practice will do becomes an obstacle to experiencing what is actually happening. On the other hand, advanced Qigong practitioners can use their knowledge of Chinese medicine to really deepen their practice. Either way, as long as you continue your daily practice with an open heart, Qigong will improve your health and deepen the relationship you have with yourself and with the Universe.

You have for some years been teaching an interesting Lifelong Learning programme, where students spend several days on retreat learning intensively from you. Could you tell us a little about this, and about the change and development you see in the students that follow through the programme?

In China, the traditional relationship between the student and Master is like parent and child, so that the Master can continue to give students guidance and support through their lives. Also, in different stages of practice of even the same Qigong practice, students will experience different phenomena, some subtle and some strong. Having step-by-step guidance helps the students understand the changes and keeps them from getting discouraged.

The purpose of the Qigong lifelong training is to create a family-style community of practitioners who are dedicated to supporting each other in their cultivation practice. We meet annually to share our experiences with the practice and to learn how to go deeper on this path to Enlightenment. Our intensive, week-long retreats provide the opportunity to learn a form in such a way that the practice becomes a part of the students, a part of their body and a part of their spirit, and this makes it easier for the practice to become part of their daily life. The retreats offer a different level of experiential learning than a few hours’ workshop or a weekly class can provide.

Over the last ten years of teaching in the West, I have seen many changes in my students – recovery from a disease process, increased energy, strength and flexibility, uplifted spirits, better relationships with others, healing practitioners who report greater success with helping their patients, etc. It is always nice for me to see how close my students grow towards each other during the retreats and how friendships grow into relationships that feel like family. We enjoy having a big Qi family!

Is Qigong a practice in which progress for all students occurs at roughly the same rate?

Not really. Different people have different bodies, different health conditions, different commitment levels (in terms of daily practice) and so have different experiences with their Qigong practice. Even the same person will have different experiences with their Qigong practice. Sometimes you will experience areas of plateau before you reach the next level, sometimes you will feel like you are moving ‘backwards’ in your progress and suddenly shoot forward, and sometimes it is just steady. After almost 40 years of practice, I feel I learn something new from my practice every day, even from the same form, again, again and again.

Would you tell us a little about your own experience with Qigong? How old were you when you began to practice?

I started to try some Qigong practice when I was about five years old, and began to take my practice really seriously when I was about 11. Originally, I practiced Qigong to have some fun. Surprisingly, I discovered many health benefits through the practice. In my first years of my memory, I was very sick, and every week I would have a terrible fever and my parents would take me to the hospital for medicine. I realized that I didn’t have to use medicine to recover when I was 11, and recovered through my Qigong practice even faster. So, I decided to stop taking any medicine and dedicate myself to my Qigong practice. Also, when I was young, I was very nearsighted and needed glasses. One summer break, I spent about one month in nature, practicing Qigong. At the end of the month, my eyesight improved so much that I didn’t need glasses anymore. Anytime I am feeling sick, have low energy, or something in life happens that affects me on the emotional level, I always practice Qigong and it helps me recover quickly.

Did you find it hard to keep up the practice during your education years, and how did you manage it?

Not at all. I followed the traditional way, as taught by my Masters, and got up early, at 4 am, to practice at least 2 hours every day. I lived on-campus during high school and university, and would be done with my practice before anyone else had gotten up. I always felt like I had more time to do everything I wanted than my classmates did. I think I had more energy than everyone else because of my Qigong practice.

Do you go back to China to visit the Masters who taught you?

Yes. Almost every year I go to China to see my Masters and spend time with them. It is the same way I go to visit my parents, just like family.

I know you are the lineage holder of several lineages. Would you tell us a little about what this means, and how the lineage holder is chosen?

In China, traditional arts and disciplines are passed on through a discipleship system. In this system, the acknowledged Master of a given discipline teaches a small circle of students. Traditionally, the Master will always design many obstacles for the students, making it difficult to continue studying. Most students will drop off because of these obstacles. When the Master feels the time is right, he/she will select the next “lineage holder” from the close-knit circle of students who have had the perseverance to carry on. The lineage holder is then responsible for preserving the entire system of knowledge and passing knowledge to others.

Your beautiful calligraphy appears on the covers of your books – would you tell us a little about the relationship between Qigong and calligraphy?

Calligraphy is a form of Qigong — it is movement within the brush and painting with your breath. When we practice calligraphy, we are working with our three treasures, Jing, Qi and Shen, which is the same as any Qigong practice. When we make a piece of art, we need to have the same three elements found in all traditional Qigong forms – correct posture, breathing and visualization techniques. In fact, in the Daoist tradition, we use the calligraphy brush as a tool for healing and spiritual cultivation. One special kind of calligraphy created by a Master is used as talismans for healing and for FengShui purposes.

It seems it all connects up – Qigong, Healing work, Calligraphy, Qin music, Yijing prediction, FengShui. Do they all support one another?

All of these are different styles of Qi arts and Qi cultivation. These practices are Qi vehicles for human beings to connect to Nature and live in harmony. On a superficial level, these practices may seem different or unrelated, but yes, they do connect up. The entire Universe is like an invisible Qi web, which connects everything. As LaoZi states in his DaoDeJing, the universal web is vast, and nothing can escape from it.

Master Wu, thank you so much for answering all these questions. We truly appreciate it, and the Singing Dragon in London is really looking forward to your visit in February!

Please visit Master Wu’s website at www.masterwu.net to find out more about his visit to the UK in February 2012 as well as his writing, teaching, music and calligraphy. You can find his four books published with Singing Dragon – Chinese Shamanic Cosmic Orbit Qigong, The 12 Chinese Animals, Seeking the Spirit of the Book of Change, and Vital Breath of the Dao, as well as his DVD Hidden Immortal Lineage Taiji Qigong – on the Singing Dragon website intl.singingdragon.com

Copyright © Singing Dragon 2012.

Singing Dragon Wins Gold at the 2011 Living Now Book Awards

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We are pleased to announce that four Singing Dragon books have won prizes at the 2011 Living Now Book Awards, including two first place Gold prizes!

Singing Dragon received the Gold prize in the Enlightenment/Spirituality category for The 12 Chinese Animals: Create Harmony in your Daily Life through Ancient Chinese Wisdom by Master Zhongxian Wu.

Singing Dragon also received the Gold prize in the Yoga/Pilates/Bodywork category for Yoga Therapy for Every Special Child by Nancy Williams.

And in the Exercise/Fitness category, Singing Dragon scooped two prizes: the Silver for Vital Healing: Energy, Mind and Spirit in Traditional Medicines of India, Tibet & the Middle East – Middle Asia, by Dr Marc S. Micozzi, and the Bronze for Managing Stress with Qigong by Gordon Faulkner.

The Living Now Book Awards celebrate the innovation and creativity of new books that enhance the quality of our lives, from cooking and fitness to relationships and mature living. Visit www.livingnowawards.com for more info.

Congratulations to the authors, contributors, editors and everyone who worked on the winning books! Click below to learn more about each one.

Copyright © Singing Dragon 2011.

Richard Bertschinger on the legend of King Arthur and Chinese internal alchemy

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Recently, Richard Bertschinger stopped by the Singing Dragon offices in London to film a talk about his book, The Secret of Everlasting Life. On that occasion he alluded to some fascinating parallels between Chinese internal alchemy and the Arthuran legend. He kindly elaborates for us here.

Click to watch the video of Richard’s talk.

Well, this is all speculation, you know! It is only that I have always been struck by the evocative image – I think we all have – of the Lady of the Lake, holding up the sword Excalibur. This is the sword with which King Arthur won his final battle. In Somerset we have many lakes that could have been the source of this legend. The idea of gentleness holding up the ultimate symbol of power and justice, I think we all have to admit, is doubly evocative.

Remember too that at the end of Arthur’s life he casts the sword back into the waters. So we have the idea of the completion of a cycle. The power returns back to the mystic waters. This is well told by Tennyson in The Idylls of the King. So we have strength returning back to its source. And let’s remember that Arthur is also called ‘the once and future king’. I think this rigmarole came from T.H.White, but he took it from the reputed Latin inscription on Arthur’s grave at Glastonbury Abbey. In some way he is out of time; he is born – but also eternal.

Now these ideas are fundamentally Taoist! Water is the source of all life in both northern European and Chinese folklore traditions. The Tao-te Ching states: ‘the greatest good in people, is like water’ (Chapter 8). It is known that much primitive life needs to return to water to reproduce – and sexuality (is it not?) is all about fluids! Fluids are the basis of life (you might remember the mad Colonel in the film Dr. Strangelove and his obsession with fluids?) But never mind. It has to be said that, along with fire, water and gold are two of the most fundamental elements in the alchemical process. You have water in the lake – and gold, that which never tarnishes, is represented by the mystical sword. The Chinese character for gold – 金 jin –stands for all metals. Interestingly enough it also stands for ‘the precious’ (but don’t get me started on Gollum and the Lord of the Rings!).

Enough to say that there are parallels, out and about, throughout all the high romance of northern European folk-lore and Chinese mystical, internal alchemy, While we are on the subject, it is interesting, isn’t it, that we wear the Golden Ring as a wedding ring? The ring is the symbol of eternity, itself. You only have to consider the idea of the snake eating its own tail, or uroboros, which C.G. Jung identified as one of his archetypes, or symbols within the ‘collective unconscious’. So with the ring (or circle) and gold we have two symbols of the unchanging and eternal.

In Chinese internal alchemy the ‘gold is plucked out the water’ – just as ‘the wood is taken out the fire’. In both cases this means that Change is arrested. It’s dramatic. It is meant to be. In the Candong Qi (The Secret of Everlasting Life, Chapter 10) comes the phrase:

know the white, but guard the black,
the spiritual light comes of itself;
for the white is the fine gold,
but the black is the water taken as basis

Let’s unpack this a little bit. The phrase ‘know the white, but guard the black’ (which incidentally is from the Taoist scripture, the Tao-te Ching, Chapter 28) shows how although we understand the white, the brilliant, ‘the fine gold’, we seek its source in the black, the dark of the waters. Indeed the ‘spiritual light comes of itself’ – this refers to Taoist non-action, or wuwei. Spirituality is no big deal, we might say. So Arthur finds his ultimate strength – that which will enable him to rule supreme and conquer every foe – given to him by a mystic lady, during a walk in the woods. Guided, some say, by the magician-shaman Merlin. Under the dark and misty trees he comes across a vision of ultimate strength, born from the dark waters.

There is much more on this in the Chinese alchemical tradition. The sword is, of course, a sword of truth. It is no coincidence that our law-courts use the symbol of blindfolded justice holding a sword. In the Awakening to Reality poem (the Wuzhen Bian) the renown Zhang Boduan has the verse:

The Smelter Ou told to his friends
A Spell for casting a Sword
Named ‘Do No Evil’, in which
Gold and Water were evenly Matched!
Once finished, it knew
The will of the one who wore it –
Ten-thousand miles, it eradicated
GOBLINS IN A FLASH!

Here we have a clear indication of the wondrous use of a single sword, which combats all evil. When gold and water are evenly matched the sword comes into being. Now follow this closely. This is because in the ‘cycling five’ (aka: The Five Element cycle) metal, or gold gives birth to water. (Just as incidentally ‘wood gives birth to fire’.) But in the alchemy we reverse natural process. This is extremely important. And so gold is born from water – ‘the mother hiding her little child’. This is explained in Chapter 10 of The Secret of Everlasting Life, entitled ‘Understanding the Double-Entranced Cave of Knowledge,’ which is basically all about how to find the pathway to inner knowledge. There is a wonderful line in this poem:

the uttermost real in man is fascinating,
as if there, as if not…
it feels like toppling into the great deeps,
now in the shallows, now in the depths…

This is, of course, the basic tenet of Chaos Theory, which says that it is on the boundaries of Chaos that the most interesting things (like the creation of life) happen. There is a most wonderful book to read on this by John Gribbin (Deep Simplicity).

In summary, the gold taken out of the water, the sword of truth brought up and given to King Arthur by the Lady of the Lake describes the internal alchemical process achievable by each one of us, each of us who commits to the spiritual path.

Zhang Boduan’s next stanza in Awakening to Reality states:

Tap with Bamboo, summon the Tortoise,
To swallow the Magic Jade Mushrooms;
Strum the Lute, summon the Phoenix
To eat off the Knife-point.
Soon through the whole body
A Light appears:
Not with everyone
CAN YOU DISCUSS THESE CUSTOMS!

Now the Chinese yoga and meditation of the internal alchemists get to work (‘tap with bamboo, summon the tortoise’ refers to The Book of Change or I Ching divination). As we proceed with our shamanistic ceremony (‘strum the lute, summon the phoenix’) – we uncover an Elixir which can be taken and eaten within, ‘off the point of a knife’. We only need the merest scrap of it! Then ‘soon through the whole body a Light appears’. This is the ultimate spiritual transformation.

The Chinese alchemists certainly knew a thing or two! Isn’t it interesting how a few threads of this wisdom found their way into northern European and Arthurian legend?

Copyright © Singing Dragon 2011.

Singing Dragon attends the 7th World Congress of Chinese Medicine in The Hague

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This past weekend, Singing Dragon attended the 7th World Congress of Chinese Medicine in The Hague, Netherlands.

The theme of this unique and important congress was “The Clinical Practice and Scientific Research of Chinese Medicine”, with a focus on the topics of andrology, the treatment of infertility, anti-aging, and research and development in Traditional Chinese Medicine (TCM).

Over 600 acupuncturists, TCM practitioners, physicians, health professionals, students, researchers and educators were in attendance from all over the world, making The World Forum, located in The Hague’s international zone, an ideal venue.

Thanks to all the delegates who stopped by our stand! We were so pleased to have the opportunity to spread the word about our fantastic books and authors.

Titles in the series edited by Zhu Bing and Wang Hongcai were of particular interest, as well as those from The Chinese Health Qigong Association. Master Zhongxian Wu’s books and DVDs, and titles concerning the use of Qigong to manage health conditions, were also very popular. See below for details.

For more info on new and forthcoming titles from Singing Dragon, check out the new Complete Catalogue, Autumn/Winter 2010-2011.

We’d also like to thank the congress organizers, the World Federation of Chinese Medicine Societies (WFCMS), for making the event such a fantastic experience – one we very much hope to repeat in 2011.

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