Master your technology or it will master you

Noel Plaugher shares insight into the martial arts exercise featured in his new book, Standing Qigong for Health and Martial Arts – Zhan Zhuang, and encourages readers to be more present in the moment.

“My book is about a still form of exercise that incorporates mind and body, and I hope that aside from the physical, readers will take heart and embrace the idea of being in the present. It sounds cliché but it seems all of us are involved in everything but the world in front of us.

In our hectic and busy lives we forget that there must be moments where we stop for a time and look around us, or simply close our eyes and be in the present. I am not talking about having a full blown meditation on a commuter train, although what the heck, you may want to try it. I try often to do this, to have these small moments (not full blown meditation on a commuter train) as I work extraordinary hours and small breaks are nirvana to me. Even for a minute or two I have found it beneficial to walk outside look at the sun and sky, take a deep breath, and think about what is happening at this moment in time. It seems like the enemy for these moments are those devices which were sold to help us save time and make things easier. I haven’t really seen that materialize. Have you?

I am disappointed that all of the science fiction movies and TV I watched as a kid that painted such a rosy picture of the future, didn’t happen the way they described. I don’t mean the flying cars, which I guess, will never happen, I mean the promise of the ease of daily activities. The one thing I noticed in science fiction was that no one was ever in a hurry. In 2001: A Space Odyssey, when Dr. Floyd is briefing the others on the space station, they were completely relaxed. They were talking about other life in the universe and they could have been discussing color swatches for interior décor. “Open the pod bay doors, Hal,” And this is when Bowman is facing death in the vacuum of space! Sure, Star Wars has some excitement, but they are shooting lasers at each other. I don’t see that I have more leisure time because of technology, and that machines are doing things for me, so I can relax on the couch. Like most people I have ended up serving the machine! Now we work everywhere. Is that an advantage? Only to the work, I think.

We are all tethered to devices that are merciless task masters. ‘Ding!’ There is a text! ‘Swoosh!’ That is the email asking about the text. ‘Swoosh!’ There is that Facebook post from the kid who sat in back of me in high school. He found me on Facebook and now I look at his posts of his family vacation and ‘like’ pictures out of some kind of bizarre obligation. ‘Ding’ a text reminding me about something that I didn’t forget, but the text requires that I respond so that the other person doesn’t get offended. Now I insert the proper emoticon and…’Swoosh’ email arrives notifying me about a picture of a plate of food that someone thinks is incredibly important. With the internet, you can read just about everything ever written by Joseph Conrad, but we use it to send pictures of plates of food. For some reason we do all of this while life is streaming by and we give it barely a notice. What the heck!

These devices are so insidious they have wrapped their tentacles around our children as well. (or did we do the wrapping?) We are often found staring stoop shouldered at our palm size czars while our children are enthralled by a screen encompassing their entire field of vision, and we all MUST HAVE IT! What are we doing? Why are we doing it? Look at this device! Look at all the things it does! Perhaps we need to be asking if we need it to do all of these things.

I have stood talking to people looking at a phone, with earphones in their ears, and they have told me: ‘Don’t worry, I’m paying attention to you.’ Really? I beg to differ. Two of their senses are occupied and tasting me is out of the question.

Usually, we think of the phone or other device as our connection to the world, when in fact it is the exact opposite: It is our disconnection from the world. The world is happening in front of us and all around us. Do we even notice? Often I am criticized for not taking pictures of events. But I refuse to do it. I don’t want to document my life for myself or anyone else. I want to experience and live it. Not to mention the fact that I don’t think my life is all that interesting to anyone but me. A few events, may be worthy of note, but a daily dose of minutiae?

So are we disconnected? How disconnected can we be? Laws have had to be passed so that we don’t type one fingered messages to others while driving a one ton death machine on a public road! Now THAT is disconnected.

So what do we do? I don’t suggest turning your back on technology. That is unreasonable. I only think we need to be prudent in its use. Give attention to what is important, and realize that what you give your attention to, whether we realize it or not, is what is most important to you at that moment. Once when I was pushing my son on a swing and checking my email on my phone, I realized that what I was looking at was the most important thing to me at that moment. That really struck me, so I put it away and when I am interacting with my son I make sure I give him the same attention I demand of him.

What about emergencies? Let’s face it if we ever only used our devices for emergencies they would be dusty and full of cobwebs. If we put them away for a moment nothing will happen. Sadly, we all must realize that we are not as important as we think we are, and we are really only important to those close to us. How often do we give our time and attention to others at the expense of the ones that care about us?

So what do we do? There are small things we can do, and I have provided some suggestions below. However, having an overall awareness of the fact that we are making choices is important. We are not helpless, unless we choose to be.

These are some things that I have found useful.

  • When you are by yourself, periodically, at least once a day, turn off your phone, or at least the volume, and be alone with your thoughts. If you have to ask what you should think about, do this more often than you were originally planning.
  • Require full attention of those that interact with you. No checking texts while speaking with you. No glancing to see if anything came in. I have instituted a “walk away” policy for myself. If when speaking with someone they choose to do other things, so do I.
  • Do the same as above for others. (How often did I catch myself doing this stuff? Too often.)
  • Look in the night sky and try to find a constellation of any kind.
  • Look at the daytime sky and observe the clouds or anything that is there.
  • Stop and think about how you are right now. What do you feel?
  • If you don’t like your child spending so much time on a device, then make it stop.
  • Breathe deeply by inhaling for a count of 5 and exhaling for a count of 5.
  • Choose to use technology to make your life easier and realize that nothing is an emergency but an emergency.

When I was writing my book I tried to talk about being present, as standing qigong is definitely something that helps cultivate this practice, but I wouldn’t want someone to think that they can’t simply start being present immediately. I hope you read my book and the others that are coming. Now, turn off your ringer and try the suggestion where you take in a breath for a count of 5 and then exhale for a count of 5. Do it now. Breathe in: 1, 2, 3, 4, 5. Great! Now, without holding your breath, breathe out for 1, 2, 3, 4, 5. There, that is it. Look around you. Look up, look down. This is where you are. Doesn’t that feel good? This is where you are.”

Developing internal energy for enhancing your healing practice

Solos_Developing-Inte_978-1-84819-183-9_colourjpg-webIt is a common theory in all the Chinese internal styles that the qi of the dantian must reach the tips of the fingers, although, how this is accomplished may differ majorly among different arts. The purpose is to make the strikes felt deep within the opponent’s body without damaging your hands. The training of such a skill, besides the internal cultivation practices, usually involves some form of punching or hitting to strengthen the ligaments of the hands, and also to make the hits (and touch) soft, powerful and precise, able to reach deep inside.

Crossing over to healing, such a skill is also very important, because in your tuina you need to protect the health of your hands from harm, and in acupuncture also ensure that you have the correct kind of energy that reaches deep inside the patient’s body to activate the points and channels.

The best tuina manuals usually offer some Neigong exercises designed to cultivate the right skill. Most of them include rigorous meditation while the hands work on a sand bag or a variety of other equipment. However, even such important skills become quite rare these days, because it may take some time to acquire them.

 

But let’s see some old exercises:

Exercise example 1: A traditional old Beijing Tuina method for teaching the hand method for the character for grasping (拿) was as follows:

“A small bucket of water was immersed inside a bigger bucket of water. The handle of the smaller bucket was attached through a leather cord to the outstretched hand of the practitioner, palm facing down. During this exercise the student had to sink the Qi to the Dantian, and then by using the round force (浑圆劲) of the whole body pull the bucket out of the water and then insert it back into the bigger bucket, without any spillage. After achieving the comfort force and the ability to assume a balanced and energy conserving posture, they would have to start meditating upon the character for grasping (拿) for the hands and rise and sink (沉-浮) for the body. Most of this exercise is happening first mentally and then physically. Movement should be soft and focused.”

Exercise example 2: This is an exercise used for the method of hitting (打) the back of the patient by using a split bamboo stick. For this skill, if the amount and type of force is not correct, it can result to damaging the muscles, skin and ligaments of the patient. An old Beijing exercise for this was as follows:

“The doctor assumes the Hun Yuan position, holding a split bamboo stick, or a Taiji long ruler, or just merely visualizing holding one. The Qi sinks to the Dan Tian, and the doctor relaxes every part of his body, until achieving a feeling of being suspended up from strings attached to the body, much like a puppet. The doctor should visualize being inside a Great Balloon that has its center in the Dantian. The outer walls of this “Great Balloon” have many hooks and barbed wire, which prevents it from moving towards any direction. The doctor however, should try to mentally move it by using his intention (意) but not any physical force, while working out all the related energetic contradictory forces (矛盾力) within his body frame. While moving the sphere with the power of the Dantian, the stick always follows the movement of the whole body, but never leads or dictates the direction. At the point (点) where the movement of the whole body stops and changes direction, the doctor should be meditating on developing the correct snapping force that is needed in hitting the back of the patient with the split bamboo stick. Most of this exercise is happening mentally, rather than physically. Movement should be soft and slight.”

 

In a similar way, internal cultivation for acupuncture needling should have a specific healing purpose, direct effect and an exact training methodology, based on appropriate understanding and application of Chinese energetic theories and correct body mechanics. This training should be primarily and directly applied towards treatment, exclusively in the clinic, as an unambiguous and solid therapeutic skill, where rational theory can be coupled with reasonable and consistent benefits, for both the healer and the patient.

In my latest book, Developing Internal Energy for Effective Acupuncture Practice I have included a complete training regime for assisting the energy aware practitioners to enhance their needling skills and transform their medicine into an extraordinary experience. With time and effort, perhaps one can discover the fine subtleties of the system at the energetic level.

Disclaimer: This article provides only simplified instruction for the above exercises, and purely for the sake of theoretical discussion. You should not attempt any of these without professional guidance from a certified teacher. The author of this article and the owner of this blog are not responsible for any harm that may be inflicted through the erroneous application of the information provided in this article.

~~~

Ioannis Solos studied Traditional Chinese Medicine at Middlesex University and the Beijing University of Chinese Medicine. He enjoys researching, teaching, practicing and critically interpreting the ancient philosophy and culture of China, internal martial arts, health preservation practices, classic medical texts and lesser-known Chinese esoteric traditions.

How to maintain your root centre – by Rosemary Patten

Rosemary Patten, author of Japanese Holistic Face Massage and founder of Equinox Rose, a clinic specialising in energy healing, offers tips and meditation exercises to fix your prana from tip to toe by focusing on your root centre.

Patten - chakra image for blog pieceWhy is maintaining the root centre important?

The root centre brings the flow of energy from crown to root and back from root to crown again. Without this instinctual energy the human race would not be here and we would not be able to understand the link we have with spirit. The root centre has given us the opportunity to progress. The rhythm of life is an ebb and flow of ideas and the willingness to confidently embrace the new with the knowledge that we can achieve and we can let go.

 

How does a balanced root centre make us feel?

  • We make decisions that are intuitive
  • We enjoy other’s company without fear at expressing our true feelings
  • We respect ourselves
  • We feel no envy or no greed for possessions
  • We relish other’s success
  • We can face people without judgement
  • We can achieve
  • We can help and inspire others
  • We listen to our bodies
  • We are aware of our sexuality and are not ashamed of our bodies

 

What can an imbalance of the root centre lead to?

  • Feelings of inadequacy
  • Being weak physically or emotionally
  • Blocking out the past unable to accept and move on
  • Being afraid of our own judgement
  • Restlessness and over talking
  • Running away from any kind of confrontation
  • A lack of co-operation by not allowing anyone to have their say
  • In relationships, aspirations can be too high with a tendency to criticise
  • A tendency to be over competitive
  • Losing the ability to be happy for other’s success

 

How can we maintain a healthy root centre?

  • Get out into the air and with each step realise the earth beneath and feel it!
  • Find activities your body will thank you for; walking in the fresh air, physical exercise, competitive sports, even gardening will help you to connect to your body and the earth
  • Recognise the early signs that tell you when your body is not balanced
  • Eat foods that are natural not processed. Meat and proteins when your mind is racing will help to keep the energy within the lower energy centres. However, overeating meat can cause you to be sluggish, therefore consider also soy tofu, pulses, nuts and dairy

 

An exercise to keep you feeling connected

Remember this simple exercise when you are busy and life gets fraught and you feel overwhelmed:

Sit upright in your chair and imagine a cord that runs down your spine into mother earth. When it reaches the level of the trees it forms roots. These roots intermingle with the trees and keep you connected to the earth. Bring the energy up through your cord.

Meditation 1

(Follow the above connection exercise)… Imagine all your worries, all those little things that annoy or niggles you… And then send those worries, excessive thoughts, down the cord and dispersing into the roots or fibre… Imagine yourself as strong as an oak tree…. Noble… Powerful…

 

Meditation 2

Sit in a comfortable position and put your hand comfortably on your lap.

a) Connect to the breath, breathe evenly and do not force the breath…  Connect to the rhythm of the breath; remember to sit upright to allow the energy to pass up and down your spine. Release any tension you feel within your body.  Scan your body with your mind’s eye.  Are you holding any tension in your head?… Around the temples? Relax… Breathe into the tension and dissipate any tension. Scan your body, head, neck, shoulders, chest, upper back, lower back.  Release by breathing into the area… Feel relaxed but upright.

b) Breathe down and place your root into the soil of mother earth… Remember to breathe not hold the breath too long…

c) Imagine a beam of white light some distance above and to one side of you and draw this light down your spine…

Hold the light at your root centre and visualise it turning a bright red colour.  Feeling the red light within the perineum area…

Feel it grow… Feel strong… Powerful… Passionate and feel courage… Courage to achieve…

You have boundless energy…

You are connected with your root…

You understand the needs of your body and you give thanks

 

Meditation 3

(Follow the above connection exercise)

a) Feel your body expand and contract as you breath… Feel your legs, your feet… And the floor beneath you… Really be aware of the contact of your body to the chair… How solid, gravity keeps you there…

Bring your awareness to your feet and slightly increase the pressure to the floor without bringing tension into your legs… Grounding your body…Feel the current running down your legs… Continue to feel your body grounding…

b) Tune into your body… Feel the centre of gravity at the base of your spine… Focus on this point… As you focus on this point of gravity… Start to be aware of rest of your body… Think of the central channel your spine… Align the energy… Keep your back straight… Bring the energy over this central area…Your torso to your head, throat, chest, stomach, all over the central core of gravity… Keep breathing as you settle into the alignment…Imagine the cord running from the centre of your head down the central core… Deep into the earth… Try to imagine this core a deep red…

Take your time to feel all the energy centres aligning one over the other… Pulling you down into the earth… Anchoring your physical body with the subtle bodies…

c) Allow yourself to sway from the central core of gravity back and forth… Around from that central point… Feel the central point of gravity weighing you down… Holding you… As you move feel the tension lift… Draining away while your feet are pressing gently to the floor. Remember to breathe…

Now just relax into your chair for a few moments before you open your eyes.

 

Rosemary Patten is a master Reiki practitioner, aromatherapist, reflexologist, and author of Japanese Holistic Face Massage. She lives in Kent, UK.

Receive one of five free copies of Heavenly Streams by Damo Mitchell

Mitchell-Aspell_Heavenly-Stream_978-1-84819-116-7_colourjpg-webDamo Mitchell’s new book, Heavenly Streams: Meridian Theory in Nei Gong, is quickly becoming a must-read resource for practitioners of Qi Gong, Nei Gong, Taijiquan, Chinese Medicine and internal martial arts.

Singing Dragon is pleased to make a copy of this indispensable guide available for free to five people chosen at random who sign up for our mailing list by Friday, September 6, 2013.

Please click here to sign up for our mailing list and get a chance at a free copy.*

Heavenly Streams provides step-by-step instructions on how to experience the various elements which make up the energy body, explaining how to identify and feel these, and how to diagnose imbalances and restore harmony. The author, Damo Mitchell,  describes the nature of the five elements, the meridians and the meridian points, inviting the reader to experience them through guided internal exercises using the body, breath and mind. Instructional drawings and photographs are included throughout the book.

Damo Mitchell is also the author of the bestseller Daoist Nei Gong: The Philosophical Art of Change.

Singing Dragon also publishes a wide variety of related books and resources, including:

If you are already on our mailing list, you may still enter. Simply fill out your name and email address on the form and unclick the check-box that says “please add me to the email mailing list”. We’ll make sure that you don’t get added twice.

If you are a recipient of one of the five free copies of Heavenly Streams, we hope you will consider writing a review of the book and sharing with your friends and colleagues on book review sites and social media.

*Of course, you don’t have to join our mailing list to enter the draw. If you would like to enter without signing up for the list, simply unclick the check-boxes on the sign-up form that say: Please add me to the postal mailing list; Please add me to the email mailing list; and Please send me a copy of the complete catalogue.

Michael Davies on the benefits of the gentle exercise known as Jiangan – The Chinese Health Wand

Michael Davies is a senior instructor with the Tai Chi Union for Great Britain. He has been practising Chinese internal arts for over 30 years and teaching Tai Chi Chuan for 13 years. He runs a Tai Chi club with regular classes, workshops and seminars in Tai Chi, Qigong and Jiangan. He lives in Hertfordshire, UK.

Here, Michael answers some questions about his new book, Jiangan – The Chinese Health Wand.

Video: Click to see Jiangan in action!


When did you first come across the Chinese health wand?

I saw it performed by an elderly Chinese man while on holiday in Malaysia in 1982, then later read a copy of the book by Bruce L. Johnson, the man who discovered the system in Shanghai in 1945. I had only just begun learning Tai Chi, which I took up mainly for the martial and meditation aspects. So although I was intrigued by the ‘Chinese Wand’ I was not sufficiently motivated to study it at that time. It was thirty years later, after working in an office and experiencing a sedentary lifestyle for much of that time, that I become more interested in the health aspects of Asian arts. I had become a Tai Chi instructor but felt that there were areas of conditioning and fitness that even this Chinese treasure was lacking. I decided to revisit Johnson’s book and experiment with the exercises, and was so impressed that I wrote this book.

What does Jiangan mean?

In Chinese (pin-yin) ‘Jian’ means health and ‘Gan’ means pole or wand. Jiangan can therefore be translated as ‘Health Wand’. Although there is no direct mention of Jiangan in Chinese written records, such exercises have been traditionally passed down from teacher to student orally for many generations. Dr Cheng, the Chinese Grandmaster who taught Bruce Johnson, claimed that the art was as old as Yoga and Qigong. But unlike other Asian mind-body systems that developed health aspects as by-products of spiritual advancement (Yoga), martial skill (Tai Chi) or healing specific illnesses (Qigong), Jiangan was specifically devised as a daily health and fitness maintenance routine for the gentry and imperial family who had unique health problems caused by their sedentary lifestyle. So for this purpose only the exercises evolved, the less effective and less safe exercises being replaced by more potent and safer exercises through countless generations. This makes it a scientific and comprehensive daily work-out.

Did you find Jiangan easy to learn, and have you found that the practice has expanded over the years?

It is very easy to learn but deceptively so. It possesses hidden subtleties and can be as simple or as challenging as you like. People tend to start practising physically but when the body adjusts there is less need for physical exertion. Eventually you realise that it is very much an internal exercise and you focus more on the deep diagrammatic breathing and develop a meditative frame of mind which greatly enhances your practice. The book takes the reader through the exercises in great detail and suggests traditional mental imagery based on the Chinese element system which helps to link the physical movement to spiritual concepts.

What are the health benefits, and how long each day do you need to practice?

The benefits include a sense of well-being, a clear tranquil mind, deep restorative sleep, increased energy, sexual vitality and fertility, increased circulation, clear skin, more efficient metabolism and improved digestion. But in addition Jiangan stretches and strengthens the physical body and is capable of delivering body-shaping results associated with vigorous gym workouts. It is therefore a holistic internal-external exercise. Many people separate health and fitness but Jiangan regards both as the same. Although there is stretching and strengthening similar to Western exercises these are performed in the style and spirit of a Tai Chi or Qigong routine. We approach stretches in gradual stages, always returning to the beginning posture with each breath and not holding a stretch for longer than a breath. Every movement is cyclic, gradual and gentle. So physical goals can be achieved at the same time as ‘internal cultivation’ because they are both part of the holistic joining of mind and body. Perhaps the systems’ most crucial contribution to health is its capacity to improve posture and help with a whole range of back, shoulder, and neck problems.

Twenty minutes a day is adequate to avail oneself of the many health benefits.


VIDEO: Michael Davies demonstrates some Jiangan exercises.

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Is this a purely ‘health’ practice or does it, like other Chinese energetic movement forms, carry within it a deeper spiritual practice?

The unique esoteric aspects of the art are based on Chinese traditional medicine and more obscure ancient practices, particularly involving the Gan itself. I discovered that the length that Johnson and Grandmaster Cheng specified for the Gan is approximately a ‘Golden Ratio’ longer than the length of an average person’s arm, which is probably the basis of the intriguing esoteric principles surrounding the Gan (‘Wand’ is an apt, rather magical term). Holding the Gan at each end – one hand considered ‘Yin’ and the other ‘Yang’ respectively – may relate back to the Healing Rods of ancient Egypt. Continuing with the Egyptian theme, this wide grip creates a symbolic pyramid shape with the body. As we continually circulate Qi around this ‘pyramid’ its vertex or tip repeatedly focusses on and stimulates the body’s two ‘polarity points’; the Yang (Baihui) on the crown of the head and the Yin (Huiyin) at base of the spine. This process relates to the important Chakra centres of Yoga and can also be seen as a simplified way to perform the ‘Microcosmic Orbit Meditation’ of Taoist alchemy. The ‘Yin-Yang’ concept is also an important influence on body mechanics. In most exercises the Gan acts as a fulcrum or lever. In many of the exercises, one part of the body is motionless (Yin) while another part is in motion (Yang). This creates a resistance that causes beneficial stretches and also massages internal organs. It is a methodology in stark contrast to Tai Chi where all the body moves as one unit.

Why do you think it is not very well known?

Bruce Johnson said that Dr Cheng was the last Chinese Grandmaster. When he introduced it to the West in the 1950’s there was little enthusiasm for Asian arts. By the time Tai Chi and Qigong became popular Johnson had given up teaching for religious reasons. The art was left behind. Though a few people kept it alive using Johnson’s out-of-print book as a reference point. But the internal, philosophical side of the art was not being taught. In recent years it seems to have been relegated to the role of a ‘quirky physical exercise with a stick’.

Using my experience in Chinese internal arts I wanted to rediscover the internal philosophy and present the art as originally intended so that a new generation can reap the health benefits. In fact, it was the way Jiangan effects the physical body that was the catalyst for writing the book. Even though I had been practising Tai Chi for over thirty years, like many men my age I had developed a middle-aged spread. There seems to be a consensus amongst Tai Chi and Qigong practitioners that it is possible to have a middle-age spread and still be healthy and to regard exercises that focus on physical improvement as somehow inferior and cosmetic. But an expanding waistband is often a sign that visceral fat – the fat that sits around the major organs and linked to diabetes and heart disease – is accumulating in the body. After practising Jiangan for several weeks my middle-ages spread was gone and I felt fitter, leaner and stronger, more supple than I had for years. I hope that my book will be particularly useful to people attracted to internal Chinese health but who also need to reduce weight and keep fit.

How does this practice fit within the Chinese martial arts tradition, and how might you integrate it with martial arts practice?

Jiangan is not a martial art and there is no evidence that it evolved from martial techniques. However, the dimensions of the Gan itself is approximately the same as the Chinese short staff (sometimes called the ‘Gun’ or ‘whip staff”) used for some martial forms.

It is a complete and integrated warm-up, a stretching, strengthening and Qigong-energy type practice that can be utilised to support any martial art training. It enriches training sessions and makes them more effective.

Now that the book is published, what is your next challenge?

I would like the art to become better known and more widely practised – particularly in the areas where it’s unique qualities can make a significant contribution, such as tackling obesity and weight-loss – especially in seniors and helping sedentary people overcome problems associated with their lifestyles. As it is simple to learn there is great opportunity for a wide range of people to teach themselves without long-term commitment to lessons or classes. Johnson wanted his own book to be in every nursing home, every hospital, every physical therapy room, every doctor’s office. I would like to see Jiangan practised by workers in offices and factories to increase productivity and the health of the workforce. I would also like to see it practised in schools and colleges, where it could not only help maintain student’s physical fitness but also be an accessible introduction to Chinese internal arts.

Copyright © Singing Dragon 2011.

Richard Bertschinger on the legend of King Arthur and Chinese internal alchemy

Recently, Richard Bertschinger stopped by the Singing Dragon offices in London to film a talk about his book, The Secret of Everlasting Life. On that occasion he alluded to some fascinating parallels between Chinese internal alchemy and the Arthuran legend. He kindly elaborates for us here.

Click to watch the video of Richard’s talk.

Well, this is all speculation, you know! It is only that I have always been struck by the evocative image – I think we all have – of the Lady of the Lake, holding up the sword Excalibur. This is the sword with which King Arthur won his final battle. In Somerset we have many lakes that could have been the source of this legend. The idea of gentleness holding up the ultimate symbol of power and justice, I think we all have to admit, is doubly evocative.

Remember too that at the end of Arthur’s life he casts the sword back into the waters. So we have the idea of the completion of a cycle. The power returns back to the mystic waters. This is well told by Tennyson in The Idylls of the King. So we have strength returning back to its source. And let’s remember that Arthur is also called ‘the once and future king’. I think this rigmarole came from T.H.White, but he took it from the reputed Latin inscription on Arthur’s grave at Glastonbury Abbey. In some way he is out of time; he is born – but also eternal.

Now these ideas are fundamentally Taoist! Water is the source of all life in both northern European and Chinese folklore traditions. The Tao-te Ching states: ‘the greatest good in people, is like water’ (Chapter 8). It is known that much primitive life needs to return to water to reproduce – and sexuality (is it not?) is all about fluids! Fluids are the basis of life (you might remember the mad Colonel in the film Dr. Strangelove and his obsession with fluids?) But never mind. It has to be said that, along with fire, water and gold are two of the most fundamental elements in the alchemical process. You have water in the lake – and gold, that which never tarnishes, is represented by the mystical sword. The Chinese character for gold – 金 jin –stands for all metals. Interestingly enough it also stands for ‘the precious’ (but don’t get me started on Gollum and the Lord of the Rings!).

Enough to say that there are parallels, out and about, throughout all the high romance of northern European folk-lore and Chinese mystical, internal alchemy, While we are on the subject, it is interesting, isn’t it, that we wear the Golden Ring as a wedding ring? The ring is the symbol of eternity, itself. You only have to consider the idea of the snake eating its own tail, or uroboros, which C.G. Jung identified as one of his archetypes, or symbols within the ‘collective unconscious’. So with the ring (or circle) and gold we have two symbols of the unchanging and eternal.

In Chinese internal alchemy the ‘gold is plucked out the water’ – just as ‘the wood is taken out the fire’. In both cases this means that Change is arrested. It’s dramatic. It is meant to be. In the Candong Qi (The Secret of Everlasting Life, Chapter 10) comes the phrase:

know the white, but guard the black,
the spiritual light comes of itself;
for the white is the fine gold,
but the black is the water taken as basis

Let’s unpack this a little bit. The phrase ‘know the white, but guard the black’ (which incidentally is from the Taoist scripture, the Tao-te Ching, Chapter 28) shows how although we understand the white, the brilliant, ‘the fine gold’, we seek its source in the black, the dark of the waters. Indeed the ‘spiritual light comes of itself’ – this refers to Taoist non-action, or wuwei. Spirituality is no big deal, we might say. So Arthur finds his ultimate strength – that which will enable him to rule supreme and conquer every foe – given to him by a mystic lady, during a walk in the woods. Guided, some say, by the magician-shaman Merlin. Under the dark and misty trees he comes across a vision of ultimate strength, born from the dark waters.

There is much more on this in the Chinese alchemical tradition. The sword is, of course, a sword of truth. It is no coincidence that our law-courts use the symbol of blindfolded justice holding a sword. In the Awakening to Reality poem (the Wuzhen Bian) the renown Zhang Boduan has the verse:

The Smelter Ou told to his friends
A Spell for casting a Sword
Named ‘Do No Evil’, in which
Gold and Water were evenly Matched!
Once finished, it knew
The will of the one who wore it –
Ten-thousand miles, it eradicated
GOBLINS IN A FLASH!

Here we have a clear indication of the wondrous use of a single sword, which combats all evil. When gold and water are evenly matched the sword comes into being. Now follow this closely. This is because in the ‘cycling five’ (aka: The Five Element cycle) metal, or gold gives birth to water. (Just as incidentally ‘wood gives birth to fire’.) But in the alchemy we reverse natural process. This is extremely important. And so gold is born from water – ‘the mother hiding her little child’. This is explained in Chapter 10 of The Secret of Everlasting Life, entitled ‘Understanding the Double-Entranced Cave of Knowledge,’ which is basically all about how to find the pathway to inner knowledge. There is a wonderful line in this poem:

the uttermost real in man is fascinating,
as if there, as if not…
it feels like toppling into the great deeps,
now in the shallows, now in the depths…

This is, of course, the basic tenet of Chaos Theory, which says that it is on the boundaries of Chaos that the most interesting things (like the creation of life) happen. There is a most wonderful book to read on this by John Gribbin (Deep Simplicity).

In summary, the gold taken out of the water, the sword of truth brought up and given to King Arthur by the Lady of the Lake describes the internal alchemical process achievable by each one of us, each of us who commits to the spiritual path.

Zhang Boduan’s next stanza in Awakening to Reality states:

Tap with Bamboo, summon the Tortoise,
To swallow the Magic Jade Mushrooms;
Strum the Lute, summon the Phoenix
To eat off the Knife-point.
Soon through the whole body
A Light appears:
Not with everyone
CAN YOU DISCUSS THESE CUSTOMS!

Now the Chinese yoga and meditation of the internal alchemists get to work (‘tap with bamboo, summon the tortoise’ refers to The Book of Change or I Ching divination). As we proceed with our shamanistic ceremony (‘strum the lute, summon the phoenix’) – we uncover an Elixir which can be taken and eaten within, ‘off the point of a knife’. We only need the merest scrap of it! Then ‘soon through the whole body a Light appears’. This is the ultimate spiritual transformation.

The Chinese alchemists certainly knew a thing or two! Isn’t it interesting how a few threads of this wisdom found their way into northern European and Arthurian legend?

Copyright © Singing Dragon 2011.

Video: Richard Bertschinger on Gia-fu Feng and The Secret of Everlasting Life

This month, Singing Dragon staff were treated to an afternoon talk with author Richard Bertschinger, author of the new book  The Secret of Everlasting Life: The First Translation of the Ancient Chinese Text on Immortality.

In these videos, Richard explains the origins of this second century text, the Can Dong Qi, and talks about the careful way in which he translated it from the Chinese over two decades. He also shares memories from his time with the influential Taoist sage and Master, Gia-fu Feng, and reads some passages from the book.

Part One

Part Two

The Yang Tàijí 24-Step Short Form – An Interview with Singing Dragon author James Drewe

James Drewe is Vice-Chairman of the Longfei Taijiquan Association, a member of the British Council for Chinese Martial Arts (BCCMA), and is a registered instructor with the Tai Chi Union for Great Britain (TCUGB). He currently teaches Yang, Chen, Sun, and Wudang styles of taiji, including various sword and fan forms, and is the author of Taiji Jian 32-Posture Sword Form, published by Singing Dragon.

Here he answers some questions about his new book, The Yang Tàijí 24-Step Short Form: A Step-by-Step Guide for all Levels.

How did you come to practice Tai Chi?

Back in 1975, I was running back home because I was late for something, and banged into a guy who was coming out of a betting shop. He’d obviously lost rather badly, because he ran after me. When I slowed down for a breather he caught up with me, grabbed me by the front of my shirt collar, and was probably only stopped from thrashing the daylights out of me because I turned into a gibbering wreck. I decided that I didn’t like how that felt and should therefore do something about it.

Within a few weeks of this meeting with the unsuccessful gambler, I took up Kung Fu, which I ended up doing for 5 years. There was a t’ai chi class that followed after the Kung Fu, and I joined this the next term as well.

I didn’t do the 24-Step until many years later. I was very impressed by its succinctness and by its clarity. I was teaching the Yang Long Form at this point, and realised that the 24-Step was a much more approachable form for beginners.

Why did you decide to write this book, and who is it for?

I wrote the book because I enjoy teaching, I enjoy trying to describe how to move, and from a more practical point of view, because I’m always being asked to recommend a book for the 24-Step.

The book is for several levels, and is divided into a ‘Brief’ description, a ‘Detailed’ description, and there are then ‘Notes’ at the end of every movement.

A beginner will possibly find the ‘Brief’ the most useful – this acts as a reminder only of the movements.

As you might expect, the ‘Detailed’ goes into slightly greater depth, explaining the coordination of the movements, angles of the limbs and body, etc.

The ‘Notes’ are more advanced points, often showing variations (not everyone teaches it exactly the same), and explaining how the body functions within each movement – rotations of elbows, knees, connections between the joints, the opening and closing of the limbs and torso, rotations of the centre to produce the movements effortlessly, etc.

Who is the ‘modern tai chi student’, and how does your book cater to them?

The ‘modern’ tai chi student is the person who is trying to cram a thousand things into his/her week, whilst holding down a job, and possibly a relationship/family.

The longer forms take up to 20/25 minutes to perform, and many years to learn, so the 24-Step form is great for those with less time to spare, but who would still like to do some t’ai chi.

The book caters for them because it explains the movements, and hopefully will serve as a reminder after learning the moves in a class.

Grounding, posture, balance, etc. – which areas usually require the most practice and attention for new and for experienced practitioners of the Yang Tàijí 24-Step Short Form?

This is a very difficult question, because everyone is different. Some people are naturally well-grounded, others have a natural grace of movement, others could balance on one toe if necessary, some are tense, others relaxed.

For beginners, the most common problem is coordination of the arms and legs with the torso – for example, a movement may require the left foot (which is already placed ahead of you) to move back alongside the right foot, at the same time as the body turning to the right, the right arm bending at the elbow, whilst the left arm pushes down towards the floor. Beginners find this difficult.

More experienced practitioners may well be able to manage the limbs successfully, but find that making the movements come from the centre is particularly difficult; many experienced practitioners are ‘disconnected’, in that their joints do not operate in a coordinated way with the rising and falling, turning left and right, and opening and closing of the centre.

This book tries to covers all of these aspects as far as it is possible with words. What is particularly hard to explain with words is the feeling of the various movements; I have tried to do this by using analogies, but am aware that this very much depends on the reader. For example, if I use sailing as an example, this might not work very well for those who haven’t had the experience of using the wind to move a small boat; on the other hand, some people have vivid imaginations, so….maybe it will help!

What do you mean when you say that thai chi is “Understanding the Absolute by practising in the Relative”?

For me this is what t’ai chi is about. If everything in the world is a microcosm, then ‘life’ should reflect Divinity, and anything that happens in our lives (any skills that we learn, all interactions, etc.) should reflect Divinity and ‘life’. Therefore, t’ai chi should be able to explain 1) Divinity, and 2) how the structure of ‘life’ operates (although, these are probably the same, as it’s arguable that ‘life’ is ‘Divinity’ in process), and how best to function within this structure of ‘life’.

It is said that we live in a world that is ‘relative’; everything is relative to something else (i.e. we have yin and yang – up/down, left/right, deep/shallow, yesterday/tomorrow, etc., etc. …the list is endless), and that, in order for us to be able to experience, this is the way that it has to be. In other words, without those opposites, experience is impossible.

It is also said that, in a state after death, we cease to experience in the same way – time no longer exists, and neither does up/down, in/out, forward/backward etc. We are just in a state of ‘being’ – the ‘Absolute’.

So, to understand the ‘Absolute’ (God/Heaven), you need to study the ‘Relative’ (Earth), and in order to understand both Heaven and Earth (i.e. the way that God ‘functions’ and the way that ‘life’ operates), you can study t’ai chi because it is a microcosm.

Having said that, I think you can probably study absolutely anything and come to the same conclusions. Mine just happens to be t’ai chi, and writing music!

In the book you talk about different kinds of teachers. What kind of teacher do you aspire to be?

I’m not a performer, and in fact have absolutely no desire to be one; but I would like to be a good teacher. I trained as a teacher (class music) in the 70s, then taught music in schools for 11 years, and very much enjoyed the challenge of explaining, and trying to understand the way in which individuals learn. Whether it is music or t’ai chi, the challenge remains the same; different people have had different experiences, and therefore will learn in different ways. Trying to find the right way of explaining something is like searching through a bunch of keys to find the right key for the lock. Hopefully the book will help some people!

Copyright © Singing Dragon 2010.