Singing Dragon attends the 2012 TCM World Congress in Rothenburg, Germany

This month, Singing Dragon was delighted to attend the TCM Congress in Rothenburg, an event which over the past 43 years has built a strong reputation as a key gathering for learning, discussion and development within the field.

This year’s focus was on fertility and paediatrics in Chinese Medicine, subject areas particularly relevant for Singing Dragon given our recent array of books for those working with children, as well as a new title in the pipeline on acupuncture for fertility.

Singing Dragon author Gordon Faulkner provided a number of popular sessions on Qigong for the kidneys, as well as for stress relief and prevention, making use of the idyllic riverside location and rolling hills of the conference venue.

True to form, there was also a healthy emphasis on fun and relaxation, and a series of concerts, dances and bonfire socials helped to refresh and balance Qi whilst bringing practitioners together.

As a first-time exhibitor, it was particularly rewarding to be able to meet with so many of our readers – thank you to those who did for visiting our stand.

And for those of you who entered our mailing list competition, congratulations go to Donald Halfkenny who has won a copy of Tianjin Liu’s Chinese Medical Qigong.

We shall hope to see you at next year’s congress, but until then please visit our website and Facebook page for all of the news on our latest releases.

Copyright © Singing Dragon 2012.

How can a new acupuncture practitioner become a great practitioner?

By John Hamwee, author of Acupuncture for New Practitioners.


Students come out of College full of enthusiasm for acupuncture, inspired by treatments they have witnessed and keen to help patients who have found no solace in other systems of medicine. It is a wave they can ride for quite some time, and one which often helps them to do extraordinary work. But sooner or later they will come up against difficulties and dilemmas which are really challenging and which they will need to resolve if they are going to carry on doing good work. These difficulties may have been mentioned at College, but living through them is quite a different matter. How do you cope, for example, with a patient who insists of coming every week but shows absolutely no signs of improvement? Or who is clearly getting better but denies it? Or with a sudden influx of young adult patients with cancer?

My new book, Acupuncture for New Practitioners, provides some practical tools for dealing with situations like these, but in the end what it is all about is learning to practice in a way that does not deplete or exhaust you – a familiar experience for many practitioners – but instead nourishes and sustains you. It is quite simple, really, but it is profound; and once grasped it will affect not just your work but the whole of your life. For being able to stay steady in the face of suffering, to be compassionate towards those who annoy or frustrate you, to refuse to become downcast by failure or puffed up by success, and to find joy for oneself through helping others – these surely will enhance everything you do outside as well as inside the treatment room.

This book comes from two sources. One is that I found the first few years of practice really difficult. It took me many laborious years to learn the lessons contained in this book and it would have saved me much struggle and heartache if it had been available then. Secondly, I had the opportunity a few years ago to work in a clinic with a group of young qualified, but inexperienced acupuncturists, helping them with their diagnoses and treatments. What I saw, of course, is that they were falling into exactly the same sort of traps that had ensnared me, were puzzled by the kinds of responses to treatment that had troubled me, and were generally trying so hard to do everything right that they were missing what really mattered. I wrote this book for them. And I hope you can still hear the tone of an affectionate talk to a few dear friends – for that is what it is.


John Hamwee has been a practising acupuncturist for 20 years. He also teaches zero balancing workshops in the UK and US. He is the author of Zero Balancing: Touching the Energy of Bone and Energy Medicine. He previously worked as a Senior Lecturer in Systems at The Open University, UK, for whom he wrote numerous textbooks. He resides in Kendal, UK.

Copyright © Singing Dragon 2012.

Michael Davies on the benefits of the gentle exercise known as Jiangan – The Chinese Health Wand

Michael Davies is a senior instructor with the Tai Chi Union for Great Britain. He has been practising Chinese internal arts for over 30 years and teaching Tai Chi Chuan for 13 years. He runs a Tai Chi club with regular classes, workshops and seminars in Tai Chi, Qigong and Jiangan. He lives in Hertfordshire, UK.

Here, Michael answers some questions about his new book, Jiangan – The Chinese Health Wand.

Video: Click to see Jiangan in action!


When did you first come across the Chinese health wand?

I saw it performed by an elderly Chinese man while on holiday in Malaysia in 1982, then later read a copy of the book by Bruce L. Johnson, the man who discovered the system in Shanghai in 1945. I had only just begun learning Tai Chi, which I took up mainly for the martial and meditation aspects. So although I was intrigued by the ‘Chinese Wand’ I was not sufficiently motivated to study it at that time. It was thirty years later, after working in an office and experiencing a sedentary lifestyle for much of that time, that I become more interested in the health aspects of Asian arts. I had become a Tai Chi instructor but felt that there were areas of conditioning and fitness that even this Chinese treasure was lacking. I decided to revisit Johnson’s book and experiment with the exercises, and was so impressed that I wrote this book.

What does Jiangan mean?

In Chinese (pin-yin) ‘Jian’ means health and ‘Gan’ means pole or wand. Jiangan can therefore be translated as ‘Health Wand’. Although there is no direct mention of Jiangan in Chinese written records, such exercises have been traditionally passed down from teacher to student orally for many generations. Dr Cheng, the Chinese Grandmaster who taught Bruce Johnson, claimed that the art was as old as Yoga and Qigong. But unlike other Asian mind-body systems that developed health aspects as by-products of spiritual advancement (Yoga), martial skill (Tai Chi) or healing specific illnesses (Qigong), Jiangan was specifically devised as a daily health and fitness maintenance routine for the gentry and imperial family who had unique health problems caused by their sedentary lifestyle. So for this purpose only the exercises evolved, the less effective and less safe exercises being replaced by more potent and safer exercises through countless generations. This makes it a scientific and comprehensive daily work-out.

Did you find Jiangan easy to learn, and have you found that the practice has expanded over the years?

It is very easy to learn but deceptively so. It possesses hidden subtleties and can be as simple or as challenging as you like. People tend to start practising physically but when the body adjusts there is less need for physical exertion. Eventually you realise that it is very much an internal exercise and you focus more on the deep diagrammatic breathing and develop a meditative frame of mind which greatly enhances your practice. The book takes the reader through the exercises in great detail and suggests traditional mental imagery based on the Chinese element system which helps to link the physical movement to spiritual concepts.

What are the health benefits, and how long each day do you need to practice?

The benefits include a sense of well-being, a clear tranquil mind, deep restorative sleep, increased energy, sexual vitality and fertility, increased circulation, clear skin, more efficient metabolism and improved digestion. But in addition Jiangan stretches and strengthens the physical body and is capable of delivering body-shaping results associated with vigorous gym workouts. It is therefore a holistic internal-external exercise. Many people separate health and fitness but Jiangan regards both as the same. Although there is stretching and strengthening similar to Western exercises these are performed in the style and spirit of a Tai Chi or Qigong routine. We approach stretches in gradual stages, always returning to the beginning posture with each breath and not holding a stretch for longer than a breath. Every movement is cyclic, gradual and gentle. So physical goals can be achieved at the same time as ‘internal cultivation’ because they are both part of the holistic joining of mind and body. Perhaps the systems’ most crucial contribution to health is its capacity to improve posture and help with a whole range of back, shoulder, and neck problems.

Twenty minutes a day is adequate to avail oneself of the many health benefits.


VIDEO: Michael Davies demonstrates some Jiangan exercises.

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Is this a purely ‘health’ practice or does it, like other Chinese energetic movement forms, carry within it a deeper spiritual practice?

The unique esoteric aspects of the art are based on Chinese traditional medicine and more obscure ancient practices, particularly involving the Gan itself. I discovered that the length that Johnson and Grandmaster Cheng specified for the Gan is approximately a ‘Golden Ratio’ longer than the length of an average person’s arm, which is probably the basis of the intriguing esoteric principles surrounding the Gan (‘Wand’ is an apt, rather magical term). Holding the Gan at each end – one hand considered ‘Yin’ and the other ‘Yang’ respectively – may relate back to the Healing Rods of ancient Egypt. Continuing with the Egyptian theme, this wide grip creates a symbolic pyramid shape with the body. As we continually circulate Qi around this ‘pyramid’ its vertex or tip repeatedly focusses on and stimulates the body’s two ‘polarity points’; the Yang (Baihui) on the crown of the head and the Yin (Huiyin) at base of the spine. This process relates to the important Chakra centres of Yoga and can also be seen as a simplified way to perform the ‘Microcosmic Orbit Meditation’ of Taoist alchemy. The ‘Yin-Yang’ concept is also an important influence on body mechanics. In most exercises the Gan acts as a fulcrum or lever. In many of the exercises, one part of the body is motionless (Yin) while another part is in motion (Yang). This creates a resistance that causes beneficial stretches and also massages internal organs. It is a methodology in stark contrast to Tai Chi where all the body moves as one unit.

Why do you think it is not very well known?

Bruce Johnson said that Dr Cheng was the last Chinese Grandmaster. When he introduced it to the West in the 1950’s there was little enthusiasm for Asian arts. By the time Tai Chi and Qigong became popular Johnson had given up teaching for religious reasons. The art was left behind. Though a few people kept it alive using Johnson’s out-of-print book as a reference point. But the internal, philosophical side of the art was not being taught. In recent years it seems to have been relegated to the role of a ‘quirky physical exercise with a stick’.

Using my experience in Chinese internal arts I wanted to rediscover the internal philosophy and present the art as originally intended so that a new generation can reap the health benefits. In fact, it was the way Jiangan effects the physical body that was the catalyst for writing the book. Even though I had been practising Tai Chi for over thirty years, like many men my age I had developed a middle-aged spread. There seems to be a consensus amongst Tai Chi and Qigong practitioners that it is possible to have a middle-age spread and still be healthy and to regard exercises that focus on physical improvement as somehow inferior and cosmetic. But an expanding waistband is often a sign that visceral fat – the fat that sits around the major organs and linked to diabetes and heart disease – is accumulating in the body. After practising Jiangan for several weeks my middle-ages spread was gone and I felt fitter, leaner and stronger, more supple than I had for years. I hope that my book will be particularly useful to people attracted to internal Chinese health but who also need to reduce weight and keep fit.

How does this practice fit within the Chinese martial arts tradition, and how might you integrate it with martial arts practice?

Jiangan is not a martial art and there is no evidence that it evolved from martial techniques. However, the dimensions of the Gan itself is approximately the same as the Chinese short staff (sometimes called the ‘Gun’ or ‘whip staff”) used for some martial forms.

It is a complete and integrated warm-up, a stretching, strengthening and Qigong-energy type practice that can be utilised to support any martial art training. It enriches training sessions and makes them more effective.

Now that the book is published, what is your next challenge?

I would like the art to become better known and more widely practised – particularly in the areas where it’s unique qualities can make a significant contribution, such as tackling obesity and weight-loss – especially in seniors and helping sedentary people overcome problems associated with their lifestyles. As it is simple to learn there is great opportunity for a wide range of people to teach themselves without long-term commitment to lessons or classes. Johnson wanted his own book to be in every nursing home, every hospital, every physical therapy room, every doctor’s office. I would like to see Jiangan practised by workers in offices and factories to increase productivity and the health of the workforce. I would also like to see it practised in schools and colleges, where it could not only help maintain student’s physical fitness but also be an accessible introduction to Chinese internal arts.

Copyright © Singing Dragon 2011.

The Secret of Everlasting Life: An Interview with Singing Dragon author Richard Bertschinger

Richard Bertschinger is a practising acupuncturist, teacher of Chinese healing arts, and translator of ancient Chinese texts.

Here he answers some questions about his new book, The Secret of Everlasting Life: The First Translation of the Ancient Chinese Text on Immortality.

How did you get interested in this work?

I’m now 62 and have been doing qigong some forty years. My interest goes back to when my teacher Giafu Feng (translator of the Tao-te Ching with Jane English) pointed out the early alchemical poems of China, and I soon found out that the Can Dong Qi, which I entitle The Secret of Everlasting Life was not only the oldest, but also the most revered, and the ‘grand-daddy’, as I call it, of them all. Also, it had never been translated, except as a chemical treatise – which was obviously getting hold of the wrong end of the stick!

What is special about these texts?

They have been enormously studied in China. I list 69 separate editions of the Can Dong Qi at the end of my translation. Not all of which I have consulted, I have to say! However during the 80’s I had the good fortune to study in Chengdu, Sichuan in China, with a very special qigong teacher. And I was fortunate to return to England with an excellent edition of this work, the requisite dictionaries and some sensitive instruction, all under my belt. I think I knew then it would take probably 30 years to complete

The obvious next step was to teach myself to read these texts. Nobody else had attempted a complete translation. And I had learnt from Gia-fu that the best way was to study the Chinese commentators on the work. (We had worked together on the I Ching, or Book of Changes, at that point). So I literally started page one, character one and went from there. At the same time I continued my acupuncture, tai-chi and qigong training – teaching as well. And I found this happy mix very conducive. I had voluminous notes (I can write very fast!) from China and my time with Gia-fu. And somehow the work got born.

I have to say that I wrote to Professor Joseph Needham about the work, and sent a sample – and was fortunate enough to get a letter back encouraging me to continue in my work. He especially like the fact that I had made the translation into English in short, poetic lines – thereby copying the Chinese text. I was most keen to be as faithful to the original as possible, you see.

What is the book’s message?

Well the book itself teaches a method of meditation which is well-known – and often, nowadays, termed ‘qigong.’ It makes much of the cultivation of stillness in body and mind. Reader, you probably have yourself felt those precious moments of quiet in your life, no? I think we all come across them. As if an angel crossed our path. Perhaps facing a beautiful sunset, a special moment with a friend, or the satisfaction of completing, in its own time, a piece of work. The genius of the Chinese sages was that they found a method, a technique akin to Indian Yoga, by which this experience could be cultivated, taught and developed. Of course, all this is now being verified by modern research, brain imaging and such like, and work on neuro-transmitters; the benefits of regular pratice of qigong are at last being recognised. Wei Boyang himself talks in these poems about “grasping onto the quiet and solitude, those rare times, so tranquil and still.” He lived the life of the scholar-hermit-alchemist so popular in the Taoist tradition. It is all to do with finding out what our common humanity is about. Very Chinese, you know.

So, what is the secret of everlasting life?

Well I suppose it is embracing this method, in its rawest aspect, coaxing internal physiological transformation, revelation and philosophical enlightenment. Yuyan (one of the Chinese commentators) describes it as a method of inner development which shows “all people their ability to reflect back their brightness to light up within (huiguang neizhao), so that their out-breath and in-breath then merge together into a state of utmost peace.” I think that about says it all! (Big Laugh!)

 Copyright © Jessica Kingsley Publishers 2010.